Introduction:
The 1980s were the Barbarian Age of fantasy films. We had a ton of flicks featuring muscle bound heroes
saving topless women from monstrous puppets. It became so pervasive that the
genre oversaturated the theaters and direct to VHS market by 1988. Fantasy films kind of fell off the map
for a decade or so. But imagine my surprise when I discovered this little gem
of a film that attempted to tell a sword and sorcery tale, before the
barbarians struck the gate.
Summary:
In a legendary time two
brothers battled in a far away land. Voltan (Jack Palance) had a heart filled
with hate, and had become a minion of the forces of Darkness. Hawk (John Terry)
was heroic and battled to save the land from evil and oppression. In their
youth, the brothers fell in love with the same woman, but a quarrel killed
their beloved and left Voltan horribly scarred.
Years later Voltan returns
with an army of evil and threatens the Abbess of Caddonbury (Annette Crosbie)
unless he receives a massive ransom of gold. Hawk comes to the aid of the abbey
with help of his companions of old. Gort, (Bernard Bresslaw) the giant wielding
a mighty hammer. Baldin, (Peter O’Farrell) the dwarf who eats just about
anything. Crow, (Ray Charleson) the elf whose skills in archery make him
deadly. Ranulf (Morgan Sheppard) the warrior whose wicked crossbow can shoot
rapid fire bolts of death. And the mysterious witch (Patricia Quinn) whose
power (and ping pong balls) may prove unstoppable. Do they have any hope in
succeeding or is this the last adventure of Hawk the Slayer?
Good Points:
- Commits to the adventurous feel
and fantasy style
- Takes inspiration from
classic stories and movies and gives them a fantasy twist
- Jack Palance is deliciously
over the top
Bad Points:
- The budget is low: impacting
visual effects and sets
- The humor misses the mark
- Hawk is a pretty bland hero
Overall:
No one would confuse this
for a great film, but I will say it is pretty good for what it attempts to do.
The over the top villains against Hawk’s varied crew make for some entertaining
viewing. The low budget visuals add unintentional laughs to the whole thing.
The intended humor is often pretty weak, but if you can get past those moments,
you’ll find a movie with its heart in the right place and plenty of of fun viewing
for bad movie night.
Scores
(out of 5)
Visuals: 4
Sound: 3
Acting: 4
Script: 3
Music: 3
Direction: 3
Entertainment: 4
Total: 4
In Depth Review
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| Hawk and his party of adventurers. |
Ah, Hawk the Slayer where were you all my life? If I had run into this
movie when I was a kid, I’m certain it would have been one of my favorite VHS
watches. Unfortunately I didn’t discover it until the early 2000s when a
coworker introduced me to it. She knew I was a big fan of Mystery Science Theater 3000 and figured this would be right up my
ally. I borrowed the DVD from her and my wife and I had a great time watching
it. The combination of the over the top performance by Palance, the wobbly
sets, the hilarious “magic” effects and the ripe dialogue made it an instant
winner for bad movie night.
And while the film isn’t
going to win any awards, I don’t know if I’d necessarily call it a “bad movie”.
Compared to dreck like Outlaw of Gor
or Cave Dwellers, Hawk the Slayer is Lord of the Rings. It has a coherent story. It has actors who are
committed to the roles. It has a certain style to it (not that the style
succeeds, but it really tries). When it attempts to entertain, it mostly
manages it (except for the funny parts).
What makes Hawk the Slayer an interesting film
from the era is the fact that it was made before Conan the Barbarian and The
Beastmaster set the course for fantasy cinema for the next decade. In fact
its influence is more varied and therefore creates a movie that feels familiar
and yet is unique among the films that surround it.
 |
| Hawk tries to play catch with the pommel of his sword. |
There are two obvious
influences on Hawk the Slayer. The
first is Dungeons and Dragons. The
game was first introduced in 1974, but had grown in popularity over the years
and by the time 1980 rolled around it was already into a second iteration as Advanced Dungeons and Dragons or AD&D. And while a group of diverse
characters teaming up to fight evil in a fantasy setting may have originated
from The Lord of the Rings, the characters
in Hawk the Slayer feel much more
like a D&D party of adventuring
heroes from the tabletop game. I could see this film appealing to young fans of
the game (I’m sure the kids from Stranger
Things have this in their VHS library).
 |
| "How do you solve a problem like Voltan?" |
But the film also feels
heavily influenced by Arthurian and Celtic legends. While you have fantasy
characters like elves, dwarfs and giants running around, it is mentioned that
they are all the last of their kind. We see Christian symbols all over the
film, especially the Celtic cross that Eliane (Catriona MacColl) gives to Hawk.
This cross plays a vital role in defeating Voltan and his dark powers. Then you
have the fact that you have an abbey full of nuns and a powerful abbot as
characters in the story. There is a feeling like this is a world changing from
paganism to Christianity, much like another film from the same era: Excalibur.
 |
| Riding through a gauzy flashback. |
But the movie has other
influences from visual, story structure and even music. When you look at the
story structure it is actually built like Seven
Samurai and The Magnificent Seven.
You have a group of defenseless innocents (the nuns in the abbey) threatened by
a mob of wicked men (Voltan and his minions). He will return for their gold in
a set time frame. The nuns send out a local villager for help and he gets ronin/gunslinger’s
(Hawk) attention and they work together to gather a team to help the innocents.
You get a series of vignettes as the ronin/gunslinger gathers the team and we
see each team member in action. Then the final act plays out as the team
battles against the raiders. Along the way some heroes and innocents are
killed, but the raiders are defeated.
 |
| Posing for the action figures? |
Some of the influence goes beyond
the story structure. Some scene blocking and set up is clearly inspired by
Kurosawa’s style. Each of the new companions has a clear personality and unique
way of handling problems that makes them valuable to the group. Direct correlations
can be made between the character types. For example Baldin the dwarf reminds
me of the humorous Heihachi (Minoru Chiaki) whose laid back attitude helped
ground the group Seven Samurai. Then
you have the deadly Kyuzo (Siji Miyaguchi) who is the quiet master swordsman
who fears nothing. I get the feeling that Crow the elf was supposed to be taken
from the same mold. You can continue this comparison with all the heroic
characters, with the only real exception being the witch.
 |
| Lots of close ups on Hawk's eyes. |
That leads to the next
influence, Sergio Leone’s Man with No Name films, like A Fist Full of Dollars and The
Good, the Bad and the Ugly. While a movie like The Warrior and the Sorceress went for what is essentially a rip
off of Yojimbo directly, Hawk the Slayer comes at it a bit more
subtly. Hawk is a man of few words, who often stands and coldly stares at his
opponents before springing into action. The camera work in these scenes is
heavily influenced by Leone, with close narrow shots of Hawk’s cold blue eyes
and quick cuts to the enemies’ sweaty faces.
And then you have the music
by Harry Robinson. Since this is the early 80s we have synths and some awesome
disco backbeats pumping the music along. Seriously the music is an awesome
flashback of cheesiness. But once you get beyond the disco synths, you get this
synth whistle sound every time Hawk appears or there is a close up on his eyes.
It is very reminiscent of Ennio Morricone’s uses of the whistle in The Good, the Bad and The Ugly. I’m not
sure it is nearly as effective, but I’ll get to that in a little bit.
Now, I’m not coming down on Hawk the Slayer because of all these
influences. In fact I think the movie handles them well enough that they all
kind of work together to make something interesting. It doesn’t directly rip
off any of these movies. Instead it takes the Star Wars approach and borrows here and there to make something
unique, especially in 1980.
 |
Voltan love scaring the simple folk, especially this
innkeeper played by Mr. Salt from Willy Wonka
and the Chocolate Factory. |
As unique as Hawk the Slayer is, that doesn’t mean
it is a successful film. One of the elements that just doesn’t work for me is
the acting choices. I think this may stem from the tone. While there is a
consistent tone of adventure and peril in the film, there is also this odd
feeling that they are targeting the movie towards a younger audience. So you
get some very broad acting styles combined with some more serious story
elements. It is a strange mix that makes the whole thing feel off, but usually
in an unintentionally humorous way.
So you have Palance as
Voltan just ranting and raving away. His scenes where he threatens his son
Drogo (Shane Briant) and his men are hilariously evil. His unbridled rage at
Hawk is also pretty amusing. Palance is not holding back and it makes all his
scenes a lot of fun. Sadly his outfit isn’t all that threatening, even if the
helmet is obviously going for the Darth Vader look.
Unfortunately John Terry is
stuck in a role that requires him to be the cool, calm guy. Most of the movie
is spent with Hawk standing, staring and saying things in measured tones. And
as good as Terry is in other films, he just doesn’t have the presence to pull
off this type of role. The result is that Hawk is actually a bit of a bland
character.
 |
| Uh oh, another "humorous" moment. |
Especially compared to all
the insane supporting characters around him. Hawk the Slayer has a great group of heroes, well great in that
they are all uniquely odd. Gort the giant is the most normal of the group. He’s
just a huge hulking guy that talks loud and people assume he’s a bully. But no,
he’s just loud, eats a lot and has a heart of gold. Bresslaw does a good job
expressing all these qualities in the film, and he becomes Hawk’s right hand
giant. Playing off of him is Baldin the dwarf. He’s small, but he eats a lot.
And he lies to get more food. And he teases Gort… and um. Well he’s short. So
there’s that. He’s basically the comic relief of the film. But comparing him to
Gimli from The Lord of the Rings is
not a good thing. Baldin is just kind of annoying. The set up for most of his
jokes goes on way too long and the punch lines are just lame. The action just
kind of stops when the jokey scenes happen. Bresslaw and O’Farrell seem to have
the comic chops, but the material just isn’t there. On top of that, as a hero,
Baldin doesn’t bring all that much to the table. At least the character he’s
modeled after in Seven Samurai could
fight, but Baldin just doesn’t do much at all but eat and make stupid jokes.
 |
Ranulf should have patented his machine gun/crossbow
hybrid. |
The two archers of the group
are also interesting. Ranulf actually gets a lot of screen time as the film
starts. He’s a villager that survives an off screen raid by Voltan, but loses
his hand in the process. He then crafts a full repeating crossbow that self
loads! With this bad boy he’s out for revenge on Voltan and his minions.
Powerful motivation and a solid performance by Morgan Sheppard makes this one
of the best characters in the film. Sadly he gets pushed to the side of the
film once all the heroes are assembled. The odd thing is that Crow the Elf is
less interesting but ends up with more screen time. Again, I think he’s
supposed to be calm and cool. And when he doesn’t speak, he almost pulls it
off. We find out he is the last of his kind, and there is a bit of that
melancholy in Charlson’s performance. But then he talks. I’m not sure what the
hell happened. They attempted to modify his voice higher… I think. But he is
also talking in complete monotone – like the way a kid sounds when he’s a
robot. I’m not sure why he chose to play an elf this way, but man is it
distracting. It leads to some of the funniest lines in the film, all because of
the delivery and the attempt to make Crow cool.
 |
You can tell she's magical because her hula hoops
glow green. |
Finally you get the ladies
in the film. Crosbie does a good job as the Abbess. I also think MacColl is
solid in the key role as Elaine. But the scenes are so short it is hard to get
much chemistry between her and Hawk. Sister Monica plays the naïve nun who
thinks Voltan will keep his word. Cheryl Campbell sells it well with real conviction,
so even when you are shouting at her blind faith, you see where she is coming
from. But the best performance is by Patricia Quinn as the witch. She brings
all the magic to Hawk the Slayer,
and she does a good job being mysterious and deliver her cryptic lines with
mystic skill. The film also has her voice coming through clearer in ADR, and
since she is whispering all her lines it gives it an unearthly quality. Not
sure if it is intentional, but it all works out.
 |
| Hawk is ready for the final battle. |
The film itself moves a
little on the slow side. The set up in the first third is a bit belabored, with
some flashbacks thrown in to make things a bit clearer, but they low the
momentum down. The scenes where Hawk recruits each team member are all done in
this vignette style inspired by Seven
Samurai, but much less effective. In all of them, the outsiders are all
being threatened or oppressed in some way and Hawk’s arrival saves the day.
It’s a bit contrived, but fun. The movie still always feels like it moves in
fits and starts, lacking moments that flow into the next. Even the use of
traveling montages and awesome disco synths just end up making you chuckle at
what the director was attempting.
 |
| What happens when fireflies mate with ping pong balls. |
But nearly all the action
scenes are fun. The stage fighting isn’t great, but it’s much better than Outlaw of Gor or Deathstalker and the Warriors from Hell. You also get a lot of in
camera effects to show the speed of the crossbow and bow of the heroes, with
editing tricks to speed up the action. It is very obvious and kind of silly,
but entertaining. The real joy comes from the low budget magic effects.
Blacklights, florescent paint and all kinds of house hold items combine to make
the magic feel really darn goofy. When Hawk uses his magic Sword of Mind to
call the weapon to him – you can see the string. What makes those scenes even
frunnier is the fact that in nearly every case, Hawk doesn’t need to use magic
to pull the sword to him. He could just reach over and grab it. There is no
reason for him to use the magic, and I kept forgetting it had that ability.
You also get some of the
more standard magical visuals that include smoke blasts and a fog machine.
There is even a bit of simple animation, but the big finale battle with the
ping pong balls has to be seen to be believed. I was laughing so hard the first
time I watched it. Great stuff.
Hawk the Slayer is a lot of fun. Like Star Wars
it feels familiar, but fresh at the same time. It’s has plenty of moments to enjoy
because of the silly dialogue, questionable acting choices and music. It is the
exception to the Barbarian Age of fantasy films, managing to carve its own
path, but is still silly enough that fans of the genre should check it out.
 |
| Gort doesn't like being called "big boned". |
 |
| "You'd tell me if this helmet made me look goofy, right?" |
 |
| Medieval eye surgery. It doesn't go well. |
 |
| Hawk and his crew ready for the next adventure. |
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Summary
