If there is one thing 1950s science fiction films taught us, it is to never trust anyone coming out of a flying saucer. There are a few exceptions, like good old Klaatu from The Day the Earth Stood Still. More often than not you end up with an Invasion of the Saucermen situation.
Sometimes you get to meet cool aliens with lumpy foreheads (before Star Trek made that a thing) and unusual wildlife (larger of course and with a higher degree of intelligence). But then there is the technology, and believe me, that technology is always something to see. This Island Earth has some pretty neat looking devices including the famed Interocitor. But just what the heck is this thing? I think we need a caption for it.
And then this happened...
Sunday, April 15, 2018
Friday, April 6, 2018
But the music is another story all together. There have been plenty of great scores for Western films. Of course Ennio Morricone leaps to mind with his scores to The Good, The Bad and the Ugly and many other spaghetti westerns. But you also have classic Hollywood Westerns featuring scores by Alfred Newman, Elmer Bernstein and of course Jerry Goldsmith.
But I'm gong for something a bit more recent. Basil Poledouris is best known for his wonderful score to Conan the Barbarian, but the composer became one of the few who kept getting pulled into scoring the few Westerns that came out in the 80s and 90s. One of my favorites from Poledouris is the score to Quigley Down Under. It has the classic Hollywood Western sound in the main theme, but Poledouris adds some banjo and ragtime rhythms to the piece that just makes it super memorable. The whole score is a lot of fun, but seriously the main theme is one of the best of the 1990s.
So enjoy the Main Title from Quigley Down Under composed by Basil Poledouris.