Tenchi's usual suspects |
I reviewed several incarnations
of the Tenchi Muyo franchise for
this blog, and I still haven’t reviewed (or seen) everything. Obviously Tenchi
was a pretty big hit at the time. Pioneer and AIC studios were making a mint off
the series and continued to milk it (and still do). But what is most
interesting is the impact the whole franchise had on anime during and after the
1990s.
One word you could never use
to describe the Tenchi Muyo series
is innovative. The story and the style had been done before. In most aspects,
the creators simply took a bunch of existing tropes and situations and molded
them into a new incarnation. It was the success of this combination that caused
a ripple effect for a couple decades. It appears that only in the past couple
years that anime started to veer away from the impact of Tenchi and the gals.
One of the obvious
influences on the series was Star Wars.
Our protagonist is a young hero whose dull life is turned upside down by
intergalactic events. Tenchi is a chosen one. He has a wise old grandfather
figure that teaches him how to use his Jurai powers, and to wield some kind of
glowing weapon. There’s a princess with a feisty attitude to rescue. There’s a
roguish space pirate. There is a villain with a connection to the grandfather’s
past. There’s spaceship battles, energy weapon fights and even severed hands.
Let’s not even get into all the sound effects and visual similarities to George
Lucas’ original trilogy.
Tenchi and Star Wars go together like chocolate and peanut butter |
So right there, you’ve got
something to grab the target male audience looking for an anime version of Star Wars. The next big change was to
put a whole bunch of hot girls in key roles. Now Tenchi Muyo wasn’t the first to create the whole “harem” type anime
– where one bland guy is surrounded by hot girls that are fixated on him. But
the creators might have been the first to strategically pick the girls to fit
just about any type the viewers might like. The other element is that all the
girls have very distinct personalities. In the OAV version they are all pretty
likable too.
The key to this is that
Tenchi himself doesn’t have much a personality. He’s a good guy, brave, a bit
naïve, but other than that he doesn’t have much else going for him. It’s easy
for a viewer to put himself in Tenchi’s place. Contrast this to the follow-up
series, El Hazard. In that series
the lead, Mokoto, starts out very similar to Tenchi. He’s a good guy, a bit
oblivious and one with a kind heart. But once he meets his one true love,
Ifurita, we see a real fire in the guy. He’s does some pretty brave and
selfless things for her, and Mokoto actually seems to grow through the series.
Tenchi is always safe, unassuming Tenchi.
So perhaps the secret to the
success of the series comes from combining Star
Wars with the harem style show. This seems to be the formula that other
anime companies grabbed onto because Tenchi
Muyo spawned a whole slew of harem style shows. Many started off using the
basic sci-fi tropes adding a dash of humor to the adventures. But it quickly spread
to fantasy, romance, comedy and basically every kind of genre within anime you
can imagine. Most of them featured a bland unassuming lead. Most include two
especially catty members of the “harem” – one being bold and the other being
proper. The progression became endless in the 90s and 00s. Hell I even reviewed
a comedy harem show for DVD Verdict back in 2010, so the Tenchi inspiration is
far from dead. But the blatant borrowing from this series became more than a
little tired.
McFarlane's Ryoko figure |
See the Tenchi Muyo franchise was very very popular. Now, some have
attributed this to marketing in Japan, where Pioneer and AIC ramped up the
advertising and merchandising for the show before it even hit the air. But the
show was a huge hit with the anime community in North America. When I got back
into anime fandom in the early 90s, Tenchi was already well liked and talked
about constantly. There was even a bit of a rivalry between fans of Tenchi Muyo and the martial arts comedy
Ranma ½.
Even before Tenchi hit the
airwaves on Cartoon Network as part of their Toonami block, there was
merchandising for the series. There was all kinds of Ryo Oki plushies to find,
not to mention art books, key chains and soundtracks. There was even an anime
inspired collectable card game (a huge industry in the 1990s) that featured
characters and events from the Tenchi
Muyo franchise. After the show
hit Toonami the merchandising increased to include action figures of all sizes.
Including some highly detailed ones from Todd McFarlane.
Chibi versions of the Tenchi Universe cast |
The Tenchi franchise was one
of the few anime series of the 1990s to actually have merchandise in mainstream
stores like Suncoast and Sam Goody. Most of the times, fans had to find
specialty shops to pick up their favorite anime goodies. But I found my nifty
Ryoko figure at Suncoast. Hey, I may not be a huge Ryoko fan, but the figure
looked cool and I hoped that they’d get around to a sweet Ayeka figure. Sadly,
only Ryoko and Tenchi were ever produced.
The release of the series on
VHS and DVD were huge events. Both Tenchi in Love and Daughter of Darkness were some of the earliest releases on DVD from Pioneer. They came
in a normal CD sized jewel case cocooned by a keepcase sized cardboard sleeve. Because
the OAV and television series had not been released, Daughter of Darkness came with a Tenchi Encyclopedia that provided
information about all the characters from the franchise up to that film and
clips from the series.
Top: OAV Box set unflolded Bottom: Pioneer's odd jewel case for their early DVD releases |
I remember how excited the
anime community was about the box set with both OAV series on it. The whole
thing was remastered in THX for picture and sound. On top of that it included
an updated version of the Tenchi Encyclopedia and came in a really nifty
looking fold out set. Sadly, fans found plenty to complain about, especially
the missing Mihoshi Special episode.
A bizarre episode of the franchise that introduced the character of Kiyone, but
is not considered “cannon” by the kingdom of Jurai or some such nonsense.
The other aspect that the Tenchi Muyo franchise affected was
animation style. Prior to the popularity explosion of the series, character
design in anime took many forms. The “big eyes small mouth” style was one of
many. In fact animators like Leiji Matsumoto and Hayao Miyazaki had very
distinctive looks to their characters. It wasn’t uncommon to watch three
different series and see three different styles of characters.
Post-Tenchi the AIC look
took over. I’m sure the more simplistic character design was one of the major
factors for this, but it had the unfortunate side effect of making all anime
series appear to be the same from a character design point of view. It became
so prevalent that when a new take on character design was attempted (such as
giving noses to the characters in Vision
of Escaflowne) viewers found the changes “ugly”.
The original release of the OAV series. Note the THX remaster logo. That got anime fans really excited back in the 1990s. |
Some animators resisted this
trend. Director Satoshi Kon always used more realistic character design in all
his projects. It works wonderfully with the surreal imagery he crafted and
grounds the viewer with the more realistic looking characters. No one is going
to tell Miyzaki to mess with his character design. But for other productions
unique character designs from the manga are lost.
This is one legacy that seems
to have become entrenched in anime. Current shows all very much conform to that
AIC style. Every once in a while something like Eden of the East comes along and does something a bit different,
but even those changes are slight. Tenchi
Muyo certainly made its mark on anime style.
The irony is, the Tenchi Muyo franchise is pure
entertaining fun, but it’s nowhere near the pinnacle of animated storytelling
that other series and films of the 1990s were. It lacks the thematic depth and
emotional chaos of Neon Genesis
Evangelion. It was never as funny as Ranma
½. It lacked the visual cool of Cowboy
Bebop. Even it’s sister show El Hazard
trumped it with a better story, better characters and a poignant ending. My
revisit of the bulk of the franchise has revealed a decidedly average show.
Ryoko Oki plushes were all the rage at anime conventions. |
Not to say the show was horrible. It's not at all. But you'd think that something with this kind of legacy would have something innovative or artistic about it. Yes it's a fun show, and yes it's entertaining most of the time. But how can that account for the massive popularity in 1990s? I think the answer is easy enough, Tenchi Muyo hit at the perfect time,
with the perfect combination of ingredients. In all forms of media there are
examples of this kind of thing. Something strikes, influences countless artists
and rakes in tons of money. Then a couple decade later folks look back and say…
well it was good, not great. Describes Tenchi
Muyo to a T.
Mark Twain defined a classic as something everyone wants to have read but nobody wants to read.
ReplyDeleteAccordingly, accessible and popular art, music, literature, and film often have a greater influence than classics (even when being generous with the category), if only because the accessible stuff is more likely seen and heard by the folks who go one to create the next generation of art. If we're lucky, they'll create new classics; if they're lucky they won't, since the other stuff will sell better.
Very good point. It is pretty rare where something "classic" is also considered extremely popular. In anime this did occur with "Neon Genesis Evangelion". It's popularity (and the dissatisfaction with it's ending) created a whole slew of clones. For a long time afterward all giant robot anime could easily be traced back to EVA. Some of the clones were pretty good. But most were just dull compared to the original.
ReplyDeleteOne of the interesting movies that is a classic, "2001: A Space Odyssey" had some influence over science fiction. Even going so far as to turn "Star Trek: The Motion Picture" into a more meditative and visual experience than the television series ever was. It even influenced "Star Wars" with it's attention to detail and depth of the production design. But we don't see much of that "thinking" sci-fi from Hollywood. The last one I remember seeing was "Moon", and even that was more of an independent film.