When J.J. Abrams was engaged
on to help reboot Star Trek in 2009,
he brought his composer of choice Michael Giacchino. I was thrilled by this because
I think Giacchino is one of best film composers working today. His energy and
enthusiasm come right through in his music. His is great at hitting the
emotional beats of a story and keeping things moving with exciting action music
that utilizes themes and doesn’t rely on the modern technique of making loud audio
wallpaper.
Giacchino is also great at
adapting existing themes into new and interesting variations. He did this with
his scores to Speed Racer and Land of the Lost, so I knew he would be
certain to take Alexander Courage’s classic Star Trek theme and give us something grand.
With the release of Star Trek Beyond Giacchino has joined
the ranks of Jerry Goldsmith as being the only composer to score three
consecutive Star Trek films. What is
even more impressive is that his music for all three films has been
consistently great. He’s created memorable themes, given us interesting and
effective variations of those themes and not just supported the movies, but
given them their own unique identity with music. I hope Giacchino stays on
board as the composer for this series of films, but if he moves on, we have
three excellent scores to enjoy.
So without further ado here
are some of my favorite tracks from the three films.
Giacchino’s main Star Trek theme gets one of its best
moments to shine in this track from the 2009 film. It is played when Kirk and
Bones get their first glimpse of the Enterprise
orbiting Earth. The track is called Enterprising
Young Men showing Giacchino’s penchant for punny track titles.
For the film Star Trek into Darkness Giacchino gave
us three new themes to enjoy. But one of the best is his character theme for
Harrison/Khan. In the film we get to hear it in many different versions, but
Giacchino got a chance to record a concert suite version of the theme, and here
it is. I love how Ode To Harrison
starts off quiet and sinister, but builds in a meticulous way until it becomes
this powerful force of nature. Really fits the character.
When Star Trek Beyond rolled around Giacchino got a chance to write a
lovely reflective theme for the crew during their time on the starbase Yorktown. This theme is quite different
from what we’ve heard in the previous movies, but Giacchino makes sure it fits
in his musical version of the Star Trek universe.
The track Night on the Yorktown is
already getting buzz for being a contender for track of the year in film score
fan circles.
Later in 2016 Giacchino will
score the Marvel film Doctor Strange
so I’m looking forward to hearing what he comes up with for that (and if it
will have a little nod to Harrison’s theme). But I’m glad he got a chance to
score Star Trek Beyond and continue
to build the audio world of this film franchise and take it boldly into an
undiscovered country.
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Yes, I'm looking forward to the Dr. Strange movie too, though I already have mixed feelings about making his mentor a woman rather than the comic version of an aged Asian teacher.
ReplyDeleteI have the old made-for-TV version of Dr. Strange on DVD (you can find it on YT or you could), and I still think it was made fairly well. They captured many of the images from the comics correctly: his inner sanctum, his mentor, and other things. So we'll see. At least Cumberbatch is reliable.
A bit of heavy metal in the soundtrack, but different (if this is the true soundtrack) from the typical Marvel fanfare of soundtracks, and actually works for a horror/fantasy. That looks like a seven-string guitar he's playing, which is a bit unusual: https://www.youtube.com/watch?v=BQ01dAvMbNk
I don't know very much about this character at all. But it does look intriguing. I had no idea they did a made-for-TV version of this character.
DeleteHe boldly went there.
ReplyDeleteIt is his job, and he does it well. ;)
DeleteYeah, here's a link to the '78 made-for-TV Dr. Strange movie, it's pretty good for what it is: https://www.youtube.com/watch?v=vNu6RVLXAR8
ReplyDelete