In the not too distant
future the giant company Novicorp dominates all of society. The huge Chairman
(Donald Moore) controls all our lives, for profit. Most folks seem content with
this, everyone except for Aram Fingal (Raul Julia). Fingal just wants to have
some fun in his life. But even classic films like Casablanca are outlawed, and his days are spent in endless drudgery
in a giant computer bank. Fingal eventually gets caught watching Casablanca at his workstation and this causes
him to be flagged for a compulsory vacation.
This means that his
consciousness will be placed into the body of baboon for some R&R. I’m not
kidding. While this is happening a mishap causes Fingal’s body to be misplaced.
The computech responsible for the safety of Fingal’s consciousness, Apollonia
James (Linda Griffiths) does what she can to preserve his consciousness as the
search for his body drags on. She ends up putting his consciousness into the Novicorp
computer for safekeeping… and that is when Fingal starts to create his own
reality. At first it’s all fun and games, including scenes inspired by his
favorite classic films. But eventually Fingal figures that if he is in the main
computer at Novicorp, why not make some changes. But the chairman isn’t going
to take that lying down, and soon virtual Fingal is running for is virtual
life, and Apollonia must decide if she wants to help the corporation or help
the rebel.
Movie Review:
Great names in cyberpunk: Neo, Flynn, Kusanagi ... and Fingle? |
Based on a short story by
John Varley, Overdrawn at the Memory
Bank is like a prototype for The
Matrix, but inspired by 1980s technology. It takes some of the concepts
introduced in Tron but molds them
into a science fiction dystopia environment. In fact it reminds me a bit of
William Gibson’s Neuromancer, but
without the dark edge, and delving a bit more into the corporate world of
bureaucracy and control (shades of Tron again). And much like Tron I’m not sure if this film would appeal to anyone outside of
the computer industry when it was released in the 1985.
While, Overdrawn at the Memory Bank is ahead of it’s time, it also has the
sense of fun that seemed to be a requisite of 1980s science fiction adventures.
There’s a lot of humor built into the story, especially dealing with Fingal’s
increasingly frustrated attempts to fight the system from the outside and then
his joy at discovering the freedom of creating his own world within the
computer. The use of Casablanca
seems contradictory to the futuristic setting, but it creates a fun
disconnect. Then you have the whole concept that people’s minds being put into
the bodies of animals as some kind of therapy is just so goofy it makes sense.
I'm still not sure how getting "doppled" into a drunk baboon is supposed to help any body. |
It is the inherent goofiness
that makes the whole movie entertaining. Unfortunately there are a few things
working against it. The movie was made for public television, and therefore
didn’t have a very large budget. But I think a considerable amount of the
budget did make it onto the screen. There are a lot of blue screen and computer
image effects. Sure this was done in the 1985, so it looks pretty crude to
modern eyes, but I think it adds a charm to the movie. Now this movie was all
shot on 1980s video, so it has a look that has been known to cause blindness in
hard-core film fans. But it gets the job done and the interesting futuristic
costumes and props show up well enough.
Probably the most
interesting performance in Overdrawn at
the Memory Bank is by Raul Julia as Fingal. He gets to have some fun
playing the frustrated computer programmer, a virtual reality rebel, and the
suave Casablanca version of himself,
Rick Blaine. Unfortunately, I’m not sure if Julia quite understood all the
technical aspects of the story. He seems a bit lost at times and it causes his
performance to be wooden. Other times, he’s completely into the part and brings
a lot of energy to the table
Apollonia spends half the movie in this same pose. |
The rest of the cast is
pretty average all the way around. Griffiths plays the nerdy heroine Apollonia
well. We get that she’s clever and resourceful, but also not keen to lose her
job. Unfortunately she gets saddled with some really bad voice over and some
painful exposition lines. Lots of her dialogue is filled with really silly
“futuristic” sounding words. For any actor these would be difficult to spout out,
but when you have a whole set of “techno-dopple the positronic helio-graphic
interlocking thing-a-majiggy” well you’ve got your work cut out for you.
Some of the other cast
members play things broadly, but in many cases it works out fine. Many of these
are virtual characters, so they don’t behave in a realistic way anyway. It kind
of reminded me of eXistenZ in that
way.
Even the fun 80s synth music
adds that extra special addition of cheesiness to the whole affair. Where
things break down is in the script explanations near the end of the film. A
bunch of stuff happens, and I’m still not sure how everything resolves itself.
But by this point Overdrawn at the
Memory Bank is chugging along with lots of odd visuals, hilarious dialogue
and Raul Julia spinning in front of a computer animated background that could
be cribbed from an Atari game. And while you’d have a good time riffing along
with this one yourself, let Mike and bots lend a hand with one of the funniest
episodes of the eighth season of Mystery
Science Theater 3000.
Episode Review:
Julia seems to be having a good time playing this duel role. |
When it came time to wrap up
the first season of episodes for the Sci-fi Channel, the crew decided to knock
out a trilogy of 1980s science fiction films. I’ve mentioned it before, but it
bears repeating, that may be my favorite genre for the crew to tackle. To
follow the uproarious Space Mutiny
and the silly chronologically impaired Time Chasers we get this virtual reality gem Overdrawn at the Memory Bank.
This is another case where
it seems the film was created just for the MST3K treatment. It is filled with
images, dialogue, performances and plot elements that just lend themselves to
riffing. And the boys unleash with a steady stream of commentary that make the
whole thing hilarious.
One of the biggest gifts
comes with our protagonists name, Fingle. The boys go to town working Fingle’s
name into all kinds of amusing word play. During a scene that is filmed in
soft light, soft filter and has Fingle and Apollonia close together Crow says
“This is filmed in soap opera vision”, to which Mike adds, “It’s Days of our
Fingle”. During a scene where Apollonia spouts out a bunch of techno jargon
involving the “doppling process”. Mike adds, “I don’t want to bungle or bobble
the Fingle dopple.” But my favorite take on his name is when Tom speaks for
Apollonia with the modified slogan, “I’ve got a fever for a flavor of a
Fingle.”
"I'll see you on the dark side of Raul!" |
They crew also used Raul
Julia to their best advantage. Not only do they riff on his mixed performance
here, but they make sure to reference his roles in The Adams Family as well a hilarious Kiss of the Spider Woman reference. One of my favorite bits is
during the opening credits, where Julia’s face is superimposed over a spinning
cube. Crow declares it a “Raul-bics cube.” Tom says, “Hey I thought he was
Puerto Rican, I didn’t know he was…” Mike shouts, “Oh no, don’t go there.” But
Tom finishes with “Cuban!” and bursts out laughing.
But Overdrawn at the Memory Bank has plenty of other oddities that
provide fodder. Since Fingle is so hung up on Casablanca we keep seeing parts of the film as well as a virtual
bar and characters from the film. Crow finally declares, “You know, never show
a good movie in the middle of your crappy movie!” There is also an odd thing
about people being threatened with being doppled into the body of an anteater.
It comes up several times and the boys have a field day with it. Throwing in
mock-repulsed lines about “filthy disgusting anteaters”.
The Fat Man and his huge huge face make for a lot of the riffing. |
And if you wanted to brush
up on your fat jokes, this is the episode to watch. The character called “The
Fat Man” provides the boys with ample opportunities to mock his weight, his out
of breath wheezing and the fact that he looks a little bit like TV’s Frank! I
think they get a bit too mean with these, but it’s par the course with an
episode from this era.
There is one thing I’m not
too fond of with this episode. The boys go on and on about how bad the movie
is. But I think it is actually a pretty creative film, with a lot of
interesting and fun concepts. Yeah it gets confusing, and I’m with them when
they have no clue what is happening at the end with “I am interfaced!” But they
get a little too angry at the film, and I think they may have been a bit too
riled up at it.
The host segments are
actually quite a bit of fun. The episode starts with Crow selling shirts for
his catchphrase, “You know you want me, baby!”. Mike points out that Crow has
never said that, and that selling shirts is kind of stupid. Crow offers Mike a
catalogue filled with catchphrases that Mike can order shirts for. Mike is
rather fond of “We’re all out of toner”. The bots aren’t impressed. The rich
irony, you can still get shirts with Crow and his catchphrase on them (as well
as your favorite MST3K riffs over at Satellite News). Pearl is inspired by the
fact that Overdrawn at the Memory Bank was made for public television. So she
creates her own pledge drive, with Ortega from The Incredibly Strange Creatures who Stopped Living and Became Mixed up
Zombies manning the phones. One of her featured shows is “The Nature of
Bobo” where Brain Guy does a killer National Geographic voiceover as Bobo does
what Bobo normally does. Tom is so
impressed he calls the telethon so he can receive his free tote bag. His
declaration, “There’s so many things to tote!” is frequently quoted around my
house.
"Your love gives me wings to fly." "I really do like pie." |
At the first break, the
robots were inspired by the baboon in the movie to order their own monkey from
instantmonkeysonline.com. The monkey arrives instantly, and immediately hates
Mike. At the next break Mike is still being tormented by the monkey, even
excessive drooling won’t save him (don’t ask). Meanwhile the pledge drive is in
full swing as Pearl stops for a touching musical number called, “When Loving
Lovers Love”, a duet with Brain Guy. The lyrics are hilarious and it is one of
my favorite songs during a host segment. Gotta give Mary Jo props for belting
this sucker out. At the next break, Tom decides to use doppling technology to
go down to the Nanites virtual world. It goes very badly for him. The next
break features Bobo trying to talk the monkey down, but then he joins in
tormenting Mike. When the movie ends, Mike takes tranquelizes Bobo and the
monkey, and Pearl is counting her massive amount of cash from her pledge drive.
Overdrawn at the Memory Bank was a great way to end the inagural season of the
show on the Sci Fi Channel. It’s got plenty of laughs, a very watchable movie
and some of the best riffing the show has to offer.
I give it five flavo-fibes
out of five.
If anything, this movie gives you a chance to throw your arms to the side and yell, "I am interfaced!" |
This episode is available on
the Mystery Science Theater 3000
Collection Volume 4.
I like Raul Julia, whom I had the opportunity to see on Broadway in "Arms and the Man." He played Sergius – he would have been too much of a presence for the unassuming Bluntschli. I’m sure he enjoyed the role in "Overdrawn at the Memory Bank" in which being a presence apparently was the point.
ReplyDeleteThis movie sounds like good fun. PBS financed (barely) some interesting projects in the 70s and 80s, e.g. Vonnegut's “Between Time and Timbuktu” (I also saw the off-off-Broadway version of this) and Ursula le Guin’s "The Lathe of Heaven." In fact, the 1980 version of the latter was better than the higher budget 2002 version with James Caan and Lisa Bonet. Somehow I missed "Overdrawn" though. Maybe it’s time to search it out.
Sad to say that I first saw him in "The Adams Family", which he played Gomez very well. But afterwards I saw him in a few dramas including "Down Came the Blackbird" and he was very good. He's a little stiff in this film, and I really think it may have been tough to shoot this out of order and keep all the virtual realities straight.
DeleteDefinitely seek this out. It's a fun one in the MST3K version, but I bet the unedited original would be just as amusing.
I love me some MST3K too, though I've barely scratched the surface on getting around to watching most of them. I read an interesting idea from the web where one poster said he would like them to package these with the original film, but perhaps the cost and copyright might prohibit that.
ReplyDeleteWhen I read about the plot of downloading Fingal's mind into a monkey, I thought of the Steve Martin movie, The Man With Two Brains, and the scene where someone suggests to Martin to put his late wife's brain into that of a gorilla. To which, Martin responds, "I can't f*ck a gorilla!" Classic. :)
Good review.
You make a great point. When Rhino first started releasing DVD versions of MST3K they did provide both the MST3K version and the original version. But as you suspected rights issues got complicated and they stopped doing that. Shout! Factory is currently releasing episodes and while they haven't been including the raw versions of the movies, there are some great extras including documentaries about the making of some of the films, interviews with the writers and performers of MST3K and assorted goodies (usually trailers for the films). I've also seen download versions of the show available on Netflix and Amazon.
DeleteOh I forgot all about "The Man with Two Brains". I remember that movie being hilarious. Haven't seen it in years. Yet another flick with David Warner as an evil mastermind. :) Thanks for commenting!
During the 2017 Turkey Day Marathon when this episode was screened, Felicia Day remarked on how she had mixed feelings about it since the blonde who Fingal sexually harasses is also named Felicia.
ReplyDeleteYeah I got a chuckle out of that. I have the same issue when I watch "Dead Again" or "The Great Outdoors".
DeleteFor some reason, THIS is the one MST3K film my parents couldn't get through. They demanded I turn it off halfway through. They were fine with Coleman Francis (in fact, "Red Zone Cuba" made my dad laugh harder than anything I've ever seen, before or since), they could handle "Manos," but not this.
ReplyDeleteI've run into a couple of other people who find this film unwatchable. That is so strange to me, I find it a fun flick with an interesting (if a bit convoluted) story to tell. Much more lucid than "Red Zone Cuba" or "The Wild World of Batwoman". I know some folks find the video quality to be painful to the eyes, but I grew up watching a bunch of direct to video films, so it works for me. Anyway, the riffing is gold in this one, and my wife and I can quote it back an forth to each other all day. Thanks for commenting!
Delete