Tuesday, November 11, 2014

Gamera (1965) – MST3K Review


Summary:
In the arctic circle a few jet fighters get into a bit of a mess. One of them goes down with a nuclear warhead and crashes into the ice. This releases the giant jet powered turtle GAMERA! Capable of flying around like a flaming Frisbee and able to devour and shoot fire, this huge creature makes a beeline straight to Japan, where he promptly terrorizes the populous.


A young boy, Kenny (Yoshiro Uchida) has a close encounter with Gamera, but the huge reptile saves his life instead of devouring him. Thus a bond is formed, with Kenny telling everyone that Gamera is a good turtle, all the while Gamera is trashing Tokyo, destroying natural resources and making a general mess of things. In the end the worlds scientists come up with the ultimate plan, one last hope that may defeat Gamera and save the world. But will Kenny help or hinder the plan?

Movie Review:
I know what you’re thinking. Is this a Godzilla rip-off? Pretty much. Toho studios unleashed Godzilla on the screens in 1954, and really kicked off the giant monster craze in Japan and around the world. But rival Japanese studios all wanted a piece of that sweet pie and so they came up with their own versions. Gamera came from the Daiei studio and was fairly popular spawning many, many sequels. While both series were targeted toward kids, Gamera especially became a kiddie favorite, with his tag line becoming “Gamera – a friend to all children”. The line is uttered for the first time here, but the rest of the movie doesn’t really match the later flicks.

Gamera attacks a toy boat, toy boyt, toy bot!
Much like the first Godzilla film, Gamera comes across a bit more serious. It doesn’t dwell on the horrors and fears of the atomic age like the older film did. But Gamera is the real threat here. There was no other monster to face and thus turn Gamera into the hero. Instead you get a lot of supporting human characters running around trying to figure out ways to defeat Gamera.

This goes through all the regular attempts. They get the military to come in and attempt to blow him up with tanks and missiles. Soon it becomes apparent that all the explosions and fire only feeds Gamera. So then they switch and try to use cold against him, kind of like The Blob. But Gamera is able to escape that trap by turning into his flying flaming discus form. They finally use fire to lure Gamera to a rocket to Mars and send him flying into space.

Truth be told, for the type of movie it is, Gamera is pretty solid. It’s got the amazingly goofy model work, the bad dubbing, the nonsensical dialogue and the massive destruction. But because the plot points are so familiar and the characters aren’t terribly interesting the whole thing seems to move at a slower pace than it should. It’s also in black and white, while the later films were all in a rich color. As much as I enjoy black and white films, the Gamera series really benefited from color. Also keep in mind that as the movies continued, they became more outlandish and over the top, and thus more entertaining. You’re also missing the classic theme song that becomes an earworm to anyone that hears it. It’s interesting to see where the series started, but in the scope of things it’s not the best of the bunch – kind of like Dr. No.

Kenny: one of the most annoyingly dubbed characters
in a Gamera film.
The real oddity of Gamera is the way Kenny is used. He’s the only character who seems to actually have a more than one dimension. When we meet him he is obsessed with his pet turtle Tibby. He keeps bringing Tibby to school and will only draw pictures of the little beast. The other kids mock him and he’s a bit of a loner. Well his parents force him to get rid of Tibby, and that is when Gamera shows up.

Kenny nearly falls to his doom when Gamera destroys the lighthouse that Kenny is hiding in. But Gamera catches and saves him. Why? Well Kenny is convinced that Gamera is a friend to all children, and therefore “a good turtle”. He spends the rest of the movie bursting into rooms and telling every adult he can find (including military personnel and scientists). They all think he’s a bit touched, and frankly the English voice actor doesn’t help matters. In the end Kenny gets himself and other people in constant peril as he runs around trying to talk to Gamera and tell others that Gamera is good (while the huge beast is destroying everything and presumably killing people).

"Check it out, it's Japanese Colonel Sanders!"
I’m not sure how we are supposed to feel about this kid. He’s at once pathetic and incredibly annoying. I don’t care if he puts himself in peril, but people keep constantly running off to save his sorry ass and nearly get killed. I say if he wants to be with Gamera so badly, let him go.

The English presentation isn’t great. The dub is poor with many of the actors sounding bored, or having trouble matching the lip flaps. The film was originally in a wide screen presentation, and instead of panning around, they just hacked the frame up. This leaves the viewer with scenes of people talking to nothing and other scenes that seem to stretch out too long, because something is happening off on the side that we can’t see. Aside from these issues, Gamera isn’t a bad film at all. I think later films like Gamera vs. Zigra and Gamera vs. Guiron are more interesting. But the real question is, did it give enough for Joel and bots to use?

Episode Review:  
"I don't think braces are going to help his dental issues."
Season 3 of the show is known for it’s Japanese films ported over to the English speaking work via Sandy Frank’s production company. It gave us some great episodes like Fugitive Alien and Time of the Apes. But for many fans of the show, the Gamera episodes are some of the real favorites. They offer some great material being weird wild and rubbery all at the same time.


Well the team at Best Brains enjoyed riffing the movie back in their initial cable access season (back in 1988), that they sought it out for another go in 1991. This means they got to rework some of the riffs, adjust the pacing a bit and give us a really solid riffing.

Dr. Forrester introduces the film as “A love story about a giant turtle and downtown Tokyo”. And he’s actually correct, the riffing paints this as a love story between Kenny and Gamera, and it works to wonderful effect. The best jokes come as Joel and bots try to figure out what the hell is going on with Kenny. During a close up of Kenny as he stares blankly at a child who is mocking him, the boys start chanting in a style very similar to Jerry Goldsmith’s score for The Omen. Later when Gamera randomly destroys the control tower at an airport Joel observes, “Well there goes Kenny’s theory about Gamera being good hearted.”

No, Neo-Tokyo is in "Akira" not "Gamera".
They also get some great quips in when dealing with the special effects. As the army rolls in to confront the turtle menace, and is represented by a bunch of model tanks and vehicles Crow observes “Micro Machines at 12 o’clock and G.I. Joe is there!” I also got a kick out of Joel realizing that Gamera wandering around on two legs ends up strutting a lot like George Jefferson.

For the most part the riffing is steady and solid, but the pacing of Gamera is on the slower side. There’s also the fact that Kenny is a pretty annoying character and the movie spends so much time with him. Sure the boys do a lot with it, but I always end up wishing the movie was over so I wouldn’t have to listen to the little dork saying how “Gamera’s a good turtle”.

The host segments in this one are a good time. Things start off with Joel and the bots doing some classic theater warm up exercises. Having been a theater geek in high school and college I got a kick out of that. For the invention exchange Joel creates a take home version of the all you can eat salad bar. The mads create a vacuum cleaner for your birdcage. It goes badly for Tweetie. At the first break Tom Servo sings a touching tribute to Tibby the turtle. This is one of my favorite songs from the series, and Crow even adds a hilarious verse. At the next break Tom and Crow have had it with Kenny and try to work some voodoo on him. They then ask the audience to write into the show and answer the important question, “Kenny. What gives?” The next break has Gamera (Mike Nelson dressed in green) visits and talks a bit about his past and what was with Kenny. The video below is Servo's ode to Tibby the turtle.



This is a solid episode, but compared to the some of the later Gamera exploits this one just doesn’t seem outlandish enough and a bit too slow. I give it 3 flying turtles out of 5.

This episode is available on MST3K vs Gamera box set (Vol XXI).

Friday, November 7, 2014

Sharknado (2013)

Introduction:
Remember how everyone was taking about Sharknado for a few weeks in 2013? Not really? Well they were. It reminded me of when everyone was abuzz about Snakes on a Plane for a few weeks back in 2006. But instead of Samuel L. Jackson we get Ian Ziering playing a guy named Fin. Fin Shepard. As in a man who herds animals with fins… animals like sharks. And as we all know sharks love the getting sucked into tornados so… Never mind. On with the review!

Summary:
It’s just another day for Fin Shepard (Ian Zierling) as he surfs with his buddy Baz (Jason Simmons) of the California coast or tending bar and dealing with the drunkard George (John Heard). Well, before you know it a random hurricane smashes into California flooding everything and managing to bring every kind of CG shark you can imagine with it.

Now Fin wants to rescue his estranged wife April (Tara Reid) and his kids from certain bloody death. But he has to navigate flood streets, bloodthirsty sharks and some of the goofiest one-liners on record. Will Fin survive the onslaught and rescue his family or will all become victims of the dreaded Sharknado.

Good Points:
  • It knows exactly what kind of movie it wants to be and goes for it
  • Some of the dialogue is hilariously bad
  • Zierling goes for it full bore and make the whole thing fun

Bad Points:
  • The CG sharks and other effects look horrible
  • Some of the acting is questionable
  • This is terminally stupid, stupid movie

Overall:
Look at the title. Just look at it. How can you read that title and think this is going to be something other than a schlocky good time. It mostly lives up to the title, delivering CG sharks chomping on people pretty quickly. Zierling jumps into the hero role with both feet and seems to be having a great time. While the movie doesn’t take itself too seriously, it doesn’t wink at the audience as much as you’d think either. It’s a lot of fun, perfect for bad movie night.

Scores (out of 5)
Visuals: 5
Sound: 3
Acting: 4
Script: 4
Music: 4
Direction: 4
Entertainment: 5
Total:  4


Curious about a full review, sent me an email and I’ll make additional thoughts to this review.

Tuesday, November 4, 2014

Age of the Dinosaurs (2013)

Introduction:
Weren’t you just saying to yourself, “You know I haven’t seen Treat Williams in anything recently? I wonder what he’s up to.” Well wonder no longer, because you’re in for a… No, I won’t say it. I’ll resist. Instead I’ll say: if you ever wanted to see a movie with Treat Williams battling crazed dinosaurs in Los Angeles, well then hold onto your hats. I’ve got the movie for you.

Summary:
Obviously the head of a biogenetics company never watched or read Jurassic Park, otherwise he might have decided to skip this particular experiment. But no, Justin (Ronny Cox) just had to go and create all kinds of carnivorous dinosaurs “for the good of mankind” and science and all that jazz. Well in the middle of his big presentation to his investors, guess what happens. That’s right, the dinosaurs break loose and start devouring people.

And we aren’t just talking one or two dinos, but a whole slew of them, loose in Los Angeles and wreaking havoc. Gabe (Treat Williams) and his daughter Jade (Jillian Rose Reed) were enjoying the dino-filled show but now are running for their lives. But Gabe isn’t going to sit back and let the dinos trash his favorite city. He starts kicking scaly butt all over the place. But it’s going to take more than a tough attitude to keep L.A. from returning to the Age of the Dinosaurs.

Good Points:
  • Knows exactly what kind of movie it wants to be
  • Treat Williams grabs the role and runs with it
  • Moves a brisk pace and always something fun around the corner 

Bad Points:
  • Painfully stupid dialogue and questionable performances
  • The CG dinos are not the least bit convincing
  • This is a dumb, dumb movie

Overall:
Oh you were looking for something to act as a double feature with Sharknado? Well look no further my friends, because this is it. Silly monster effects? Check. A lead actor who gets into his uber-hero role? Check. Hilarious story developments and ridiculous dialogue. Double check. A good time for bad movie night? Oh I think you know the answer to that question.

Scores (out of 5)
Visuals: 5
Sound: 3
Acting: 4
Script: 3
Music: 3
Direction: 4
Entertainment: 5
Total:  4


Curious about a full review, sent me an email and I’ll make additional thoughts to this review.

Friday, October 31, 2014

The Color Out of Space (2010)

Introduction:
As most of you know, I’m a fan of H.P. Lovecraft and his style of horror fiction. His works get adapted into films pretty regularly these days, but it is rare that you get a film that sticks to close the source material. There are plenty of reasons for this (and I could spend a whole blog babbling about it), but most of the time us Lovecraft fans have to settle for something “inspired” by the writer instead of getting an actual adaptation. That is why I was pretty excited to see this film; one that I heard was very close to the original tale of terror.

Summary:
In the year 1975 Jonathan Davis (Ingo Heise) leaves his home in Arkham to seek out his father who was last seen somewhere in Germany. Jonathan meets up with Armin Pierske (Michael Kausch) who tells him a tale about the little village where his father was last seen. During World War II a meteorite fell into one of the fields owned by a farmer named Nahum Gartener (Erik Rasetter). Gartener calls the university and they send some professors over to study the meteorite. It exhibits some very odd properties. It seems to remain hot even as the metallic object evaporates over time. Most bizarre are the globules of color that appear in the center of the meteor – a color no one has ever seen before or can even describe.

Eventually the meteor dissolves into nothingness, but the Gartener’s farm begins a strange metamorphosis. Crops grow to enormous size, but taste horrible. Animals begin to mutate or shun the area. The family notices the trees appear to move without any wind. Pierske maintains contact with the family but fears they are losing their minds. Eventually the war brings soldiers. One of them is Dr. Davis (Ralf Lichtenberg) an American medic who becomes tied to the final revelation of The Color Out of Space.

Good Points:
  • A very faithful adaptation of the Lovecraft story
  • Minor changes to setting and characters help enhance the film
  • Moody and effective black and white cinematography

Bad Points:
  • The low budget hinders a few of the larger scale concepts
  • Moves at a slow measured pace to build up terror
  • Looking for a traditional horror film – look elsewhere

Overall:
It takes an independent German film to finally do justice to one of Lovecraft’s most interesting mixes of horror and science fiction. The result is a movie that takes time building up the dread until you can almost taste it. While some of the more horrifying visuals are compromised by a low budget, the film makes up for it with some lovely and disturbing cinematography. The cast does a fine job (although I had to judge based on a subtitled performance). All in all, this is a great find for Lovecraft fans and will work for anyone looking for something a little different for their Halloween Horror fest.

Scores (out of 5)
Visuals: 4
Sound: 4
Acting: 4
Script: 5
Music: 3
Direction: 4
Entertainment: 4
Total:  4


Curious about a full review, sent me an email and I’ll make additional thoughts to this review.

Tuesday, October 28, 2014

Forgotten (2004)

Introduction:
This was one of those movies that I remember seeing trailers for and being intrigued by. But for some reason or another I never got around to checking it out. Then it popped up on the Netflix download, I had a flashback to the trailer and decided to give it a spin. Was it worth digging up this… un-remembered movie or should it have stayed… in oblivion.

Summary:
Telly (Julianne Moore) is trying to cope with the loss of her son. Her husband Jim (Anthony Edwards) starts to believe that she will never cope with anything. Mostly because they never had a son!  Telly refuses to beiieve that all her memories of her child are some kind of mental breakdown. She receives confirmation of this when she meets a Ash Correll (Dominic West). His daughter has also disappeared from everything but his memories.

The two begin a search for these missing children and a world that seems bent on erasing them from existence. Along the way they finds clues that point them to a decietful Dr. Munce (Gary Sinise) and put them in the way of determined detective Pope (Alfre Woodard). Have Telly and Ash gone completely insane or is there a secret behind the Forgotten children?

Good Points:
  • Julianne Moore delivers a very moving performance
  • Alfre Woodard injects some energy and personality into the film
  • Has a couple creepy moments

Bad Points:
  • Moves too slowly losing all sense of momentum
  • Never feels like it goes quite far enough with certain concepts
  • The final reveal is a bit of a let down

Overall:
About halfway through the film I wished that Woodard’s detective character had been the main character. She brings life and energy to this turgid film, and whenever she’s around the movie picks up. Sadly most of the film wallows in slow conversations that meander around but never quite gel. I see what director Joseph Ruben was going for, but he never quite captures that mood or atmosphere. The end result is a dull film that is quickly… forgotten. (had to be done)

Scores (out of 5)
Visuals: 4
Sound: 3
Acting: 4
Script: 3
Music: 3
Direction: 2
Entertainment: 2
Total:  2


Curious about a full review, sent me an email and I’ll make additional thoughts to this review.

Friday, October 24, 2014

Cosmic Horror Cast-a-thon

A fellow blogger and Lovecraft enthusiast over at Hitchcock’s World is hosting a Cast-a-thon for a Cosmic Horror film. What exactly is Cosmic Horror, well it is horror that focuses on how small and insignificant humans are. It is a fear based in the unknown of an unquantifiable nature. It is the terror that comes in knowing that you are really nothing compared to grand scheme of the cosmos – accepting that there is any scheme to the universe. See, it is even scarier that way. Check out the post What Makes a Cosmic Horror Story over at Hitchcock’s World.

You don’t see too many films that attempt this type of horror, and good old H.P. Lovecraft is probably one of the most famous writers of this type of tale (and you could argue he originated the concept).

The rules for this Cast-a-thon are simple. Pick one of Lovecraft’s elder god horrors. These beings are always causing mischief for various reasons. Then assemble a dream team of characters from various horror films to combat the evil. It’s all done in the name of fun and it allows me to stretch my creative thinking brain cells a bit.

So without further ado here is my Cosmic Horror Cast-a-thon.

The Old One - Nyarlathotep

A maniacal being from beyond the spheres of our known dimension has arrived on earth. His goal is to subjugate the people of earth and drive them slowly insane. His motives are unknown. His methods are subtle and terrifying. Even now, those who are corrupted by his power walk among us. He goes by many names, takes many forms, and has been here before. Some texts call him Nyarlathotep. All mentions of him are filled with fear.

Nyarlathotep in one of his pre-determined
forms
Is it even possible to face such a terrifying being? He was thwarted before, and not all that knowledge was lost. It requires a team of special heroes to attempt to stop Nyarlathotep – even if it means their destruction to do so.

The Sage
Agent Dale Cooper – Twin Peaks: Fire Walk with Me
 
"Diane, I need to you look up the spelling for
Nyarlathotep."
Agent Cooper dealt with the supernatural before, he is quite skilled at accepting the unexplainable, and keeping a level head when things go badly. He relies in intuition and appears to have a touch of extrasensory perception. He is also a bit eccentric (which would make for some humorous moments). Cooper would be quick to realize the danger that Nyarlathotep poses, and come up with the best way to combat the elder god. However, his sensitivity to the paranormal could make him a target for the dangerous being.

The Loremaster
Detective William Somerset – Se7en

Searching for the Necronomicon?
A cynic to the core, Detective Somerset may be difficult to convince that some ancient god is coming to destroy humankind. But I get the feeling that Agent Cooper may be able to convince him. Once Somerset is on board, his researching skills and tenacity to see the job completed would make him invaluable. He has plenty of connections in law enforcement as well, and this may come in handy as things become more and more bleak. Somerset is also a realist, willing to lay it on the line and say it plain.

The Scientists
Dr. Elizabeth Shaw – Prometheus

"An Elder God? Are you kidding me?"
Dr. Shaw is an archeologist and her research has uncovered interaction of humans and Nyarlathotep. Her faith is a driving force in her life and the concept of an elder god disturbs but intrigues her. Shaw’s research brings her to the attention of Somerset and so she joins the crew bringing her scientific skills. While the main force is supernatural in origin, most of Lovecraft’s villains use science to execute what appears to be magical to humans. Dr. Shaw’s clinical mind and ability to stay very calm and collected under pressure would be the perfect asset.

Dr. Lesh – Poltergeist


"I've seen this before. Back in 82 we had a similar
experience."
After her work with the Freeling family and their little ghostly problem, Dr. Lesh was pretty confident in her abilities to identify, classify and deal with supernatural beings. She is a parapsychologist, and has continued her work at narrowing down supernatural causes and using scientific methods to handle them. Not all of her work has been successful, but she has an open mind and is willing accept the supernatural as something that we don't understand now, but may come to understand with more research. She'll make an excellent partner for Dr. Shaw.

The Warrior
Nagi Kirima – Boogiepop Phantom
 
She isn't about to sit back and let her mind
be destroyed. She will fight to the end.
Nagi faced the darkness many times when she was a teenager in Japan. But her desire for justice drove her above the horror. As a teen, she was resourceful, fearless, clever and dangerous. Ten years later she’s facing another evil menace, once that threatens the whole world. She won’t sit still and let it happen. She will act, and she will do it alone if she has to. But armed with tools provided by Cooper, Somerset and Shaw, she has a real fighting chance. Nagi Kirima is a force to be reckoned with. She just needs a partner.

The Fool
Jack Burton – Big Trouble in Little China
 
"You know what old Jack Burton says at
time like this?"
Jack just can’t catch a break. After his adventures in and beneath Chinatown, Jack thought he had faced the worst life could deliver. Well the old Pork Chop Express got mixed up with a nasty shoot out between Nagi Kirima and some of Nyarlathotep’s devoted disciples. Jack just couldn’t let a hot girl like Nagi take on those nuts alone, so he came her rescue (if you ask Nagi he just got in the way and she had to save his ass). This little incident put him directly in the sights of Nyarlathotep. So Jack figures he might as well help save the world again, he didn’t really have anything special going on this weekend anyway.

* * *

So there is my dream team to face this cosmic threat. Will have have a hope in any of the nine hells? Hard to say, but I think it will be fun to watch them try. And yeah, I cheated a bit by adding Nagi, since a) she's animated and b) she's from a television series. But Boogiepop Phantom is one of my favorite anime series, fits perfect in the theme, and Nagi just kicks all kinds of ass. She'd spit in one of Nyarlathotep's multiple eyes, that's for sure.

Don't forget to check out the Cast-a-thon page over at Hitchcock's World to find links to other eldritch horror sagas. 

Tuesday, October 21, 2014

Score Sample: The Grudge and The Grudge 2

This time of year I listen to a lot of horror film soundtracks. Horror film scores run a full range of styles from atonal sound design to full blown orchestral beauty and bombast. Of course the overriding feeling of these scores is to create some kind of darkness. One of the best film composers for darkness is Christopher Young. In fact, I featured his wonderful work on Drag Me to Hell back in October of 2013. That score is all about the big horror sound. One of my favorite scores that goes smaller and creepier is his work on the American remake of the Japanese film The Grudge. This score features a wonderful snakelike main theme, simple sounding but it works its way under your skin as the album progresses. The majority of the score stays quiet, disturbing, with a few moments of calm beauty and several moments of atonal horror. He also scored the sequel, with a larger ensemble and some Japanese musical instruments to add color. The result is a one two punch of wonderful and disturbing horror music. So enjoy the End Titles to The Grudge and Seme from The Grudge 2. Hopefully they won't give you nightmares.


End Titles from The Grudge


Seme from The Grudge 2