Summary:
David Shelby (Rock Hudson)
has created the ultimate 1970s winter resort, and he is getting ready to show
it off to the world. His ex-wife Caroline (Mia Farrow) arrives to congratulate
him on his accomplishment, and he takes it as a sign that she wants to get back
together with him. Talk about reading the room wrong. But David’s hot temper
and impetuous ways still annoy Caroline. David’s attitude also get’s in the way
when Nick Thorne (Robert Forster) shows up to tell him that all the land
development has made conditions ripe for a massive avalanche that will destroy
the resort!
But David tells Thorne to go
suck some eggs and proceeds to party like it is 1978! Well sure enough, heavy
snowfall meets out of control airplane and boom you have an avalanche. Who will
survive? Who will meet a frozen fate? And who will end up hurtling to the
bottom of a gorge and exploding on impact? No, I’m not making this up. Produced
by Roger Corman… well that should tell you enough right there.
Movie Review:
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| The title character makes his big entrance. |
Ah, that Roger Corman. He
just doesn’t miss a trick does he? Disaster movies like The Poseidon Adventure, The
Towering Inferno and Earthquake were
all the rage 70s. So why not make your own, for a smaller budget of course. Get
a couple big name stars to get butts in the seats and make a profit.
Well, the disaster movie
craze hit its peak around 1975 or so. By 1978 we were really dredging the bottom
of the barrel with this genre when movies like The Swarm bombed in the box office. Avalanche came out the same year, and even with the one-two punch
of Rock Hudson and Mia Farrow as your main stars, I doubt this movie did very
well at all. I don’t think anyone was clamoring for snow based disaster thrills
in the post Star Wars world.
That said, just because the
movie wasn’t a hit in its time doesn’t mean it’s a bad film, right?
Yeah, this is a bad film.
Sorry folks.
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| "If it ever stops being the '70s, we'll all be in trouble." |
What is sad is that you can
see Avalanche following the disaster
movie tropes with religious fervor. You have your two leads having relationship
problems. You spend way too long developing them and a host of other minor
characters. This way when the disaster hits, you’ll be involved in their fate
and thrill to see if they live or die.
The main problem here is
that none of the characters are engaging enough to care about. Sometimes it is
the acting. Sometimes it is the writing. Sometimes it is a combination of the
two. But I only liked one character in the entire film. The rest were just
fodder for the snow and ice to take out.
 |
Now we know what happened to Danny after
the end of Time Travelers! |
What lucky character
appealed to me? That would be Henry McDade, because I think the character got a
raw deal. He spends the bulk of the movie following David’s mother (played with
verve by Jeanette Nolan) and trying to keep her out of trouble and from
drinking herself into a stupor. That is her main character trait, she drinks a
lot and yells “Aloha!” Anyway, McDade is stuck with this woman because David is
his boss and David says he has to. I just feel bad for the poor guy. But when
the snow hits the fan, McDade actually stays with the old lady and does his
best to save her. He shows more compassion than almost anyone else in the movie.
And SPOILER ALERT – he survives. Good for him! Maybe I’m also partial to the
character because he is played by Steve Franken. We just saw Franken in The Time Travelers as the lab fanboy
Danny. Anyway, this simple character is the only one I cared about in Avalanche
 |
This movie came out four months before Ice Castles.
That's Corman for ya! |
The rest of them… jeez.
There is a jaded skier who hits on underage girls. His “love interest”, I
think, is a Dorothy Hamill look alike, who has an obvious skate double. She’s
bland. There is another skater who is nervous and keeps botching her routines.
Her coach gives her motivational speeches. The meaningful music tells me I’m
supposed to care about them. Bland performances and little screen time makes
sure I don’t. There is the Television Host who seems like a nice guy for the
two minutes we see him. He ends up trapped with small boy on a ski lift. It
almost works, but the peril gets neutralized because of obvious stunt doubles and
silly camera work. You end up chuckling instead of gasping in horror.
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| He's even sincere about McDade's goofy hat. |
Then there are our three
lead characters in Avalanche. The
best performance is given by Robert Forester, who is one of those actors who
always delivers solid work in just about anything I’ve seen him in (including The Black Hole). The role of Nick
Thorne is cliché-ridden and not terribly interesting, but Forester makes the
most of it. He is sincere in his conviction that an avalanche in immanent. He
is sincere in his attraction to Mia Farrow. He is sincere in his wiliness to
help people when the avalanche hits. But he is such a one-note character, it is
hard to care about him. Forester does the best he can with a poorly written
role.
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| "You are never going to stop shouting, are you David?" |
Mia Farrow on the other hand
does not much of anything with a poorly written role. Much like Forster’s
character, Caroline doesn’t really have an arc. She shows up at the resort
annoyed with David, but she still loves him. It ends with her annoyed with
David, but she still loves him. Along the way she says she’s interested in
Thorne, but her acting doesn’t show it. She says she may be willing to give
David another chance, but her performance says otherwise. Well, that’s not
right, her performance is just kinda there. It is tempting to say that Farrow
is just there for the paycheck. But I think the role was so boring that she
decided not to give too much effort. She has no chemistry with anyone in the
“love triangle” and while she has a couple of good moments yelling at David,
she doesn’t do much of anything in the story either. She’s just there because we
needed a woman in the “love triangle” that goes nowhere.
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| David in a rare moment of not shouting. |
Rock Hudson takes the
opposite approach. I get the feeling that Hudson read the script to Avalanche and liked that he wasn’t
playing the nice guy for once. David is an egotistical jerk, who places his
desires over everyone’s safety. He even endangers his own (drunken) mother. I
can see Hudson liking that aspect of the role. I can also see him reading it
and realizing how stupid the whole thing was. So instead of just playing low
key, he goes big and broad. Hudson rants and raves. He snarls and barks. He is
a complete asshole to just about everyone else in the film. He does it so well
that you pretty much want him to suffer a humiliating death by snow boulder. I’ve
never seen Hudson play this kind of role this broadly before. On the one hand
it is fun to watch. But in the service to the film, it just doesn’t work. I
think we are supposed to feel some kind of catharsis that he gets what he
deserves at the end. He does seem a little subdued at the end, but the crushing
reality that his actions have killed his mother, dozens of people and destroyed
his dream for the resort just seem to be given a “oh well, that sucks” feel
from the tone of the ending.
Much like this review, Avalanche spends way too much time
going on and on about these flat characters before any hint of disaster
appears. But when the avalanche arrives, about 55 minutes into the movie, it
delivers some thrills, right? Well, kinda sorta. For the budget and knowing
this is a Corman production it works out Ok. Lots of scenes feature super
imposed ice/snow visuals over people flailing about. That provides some
unintentional laughs. The disaster on the ice rink and the whole thing that
happens in the kitchen are laugh out loud ridiculous looking.
 |
| Um, should we be watching this? |
The most thrilling sequences
of disaster are the ski lift rescue and unearthing David’s mother and McDade
from the encased dining room. The ski lift has a pretty good build up to the
final rescue. The whole thing gets more and more unstable as the news anchor
and the kid hang on for dear life. There is electricity in play, and the fire
department has trouble getting to them. It’s edited a bit clumsily, but it gets
the job done. And since I actually liked McDade (and I admit the drunken mother
was kind of likable too) I wanted to know what would happen to them.
Avalanche
also tries to have a message about the media not caring about people, but doing
anything for the story. The camera crew doesn’t try to help the news anchor and
the child. They just stand there and film it, wanting to catch the moment they
fall or get electrocuted. There is also a message about harming the
environment, and letting greed and ego get in the way of compassion. It is all
heavy handed, and doesn’t really go anywhere. I guess it is supposed to add
some kind of depth to the film, but it just feels like padding to a movie that
feels way too long already.
 |
| And then 1978 smacks you right upside the head! |
For me that is the biggest
crime Avalanche commits. The movie
drags. Not just because of the slower 1970s pacing, but because it wastes over
half of its running time on the flat uninteresting characters. They are written
and executed so poorly it makes for an uninteresting film. You can’t wait for
the snow to start falling. The movie picks up when the disaster finally hits,
but so much of the entertainment comes from the hilariously bad special effects
and over the top acting that you are laughing at the movie, not thrilling to
it.
Yes, Avalanche is a disaster of a movie. But is it a disaster that Jonah
and the Bots are ready to take on?
Episode Review:
 |
| Looks refreshing. |
I don’t think Mystery Science Theater 3000 ever
tackled a straight up disaster film before. The closest we got was the
wonderfully hilarious San Francisco International, which was a 1970s television pilot filled to bursting with
past their prime actors spouting out over-ripe dialogue and providing thrills
on the tarmac. The movie was a perfect fit for riffing and it remains one of my
favorite episodes of the entire series.
So Avalanche has a lot to live up to. Unfortunately, things just don’t
work out so well this time around. That doesn’t mean that Jonah and the bots
aren’t giving it their all, because they really are.
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| "Old man Peabody used to own all this..." |
For those first 55 minutes
or so, they riff away at the movie as best as they are able too. So much of the
film deals with silly melodrama and talky scenes with Rock Hudson shouting at
everyone that it was a bit of a struggle to keep things fresh. Jonah and the
bots focus on the ripe dialogue and over baked performances.
And don’t worry they don’t
go for any overly nasty pokes at Rock Hudson. There are a couple of subtle
riffs playing off his lifestyle, but they focus more on his ranting and 70’s
outfits. I will admit that MST3K has
gone for the nasty jokes about celebrities in the past. Bela Lugosi’s drug
problems played into quite a few riffs in Bride
of the Monster and in the Rifftrax
commentary for Plan 9 From Outer Space
they went overboard (and Lugosi is hardly in the film). So it is nice to see
Jonah and the crew not taking that tactic this time out. Keep it classy guys.
 |
| Jonah and the bots get their groove on too! |
Since Avalanche falls smack dab in the midst of the disco era, and we
have a party scene you get some of the best riffing during that sequence. As
the scene starts Jonah say, “1978 you have so many crimes to answer for.” Tom
adds, “We have an avalanche of polyester on the dance floor tonight.” As the
Baked Alaska desserts are brought out the boys throw several funny quips at the
oddity of the whole scene.
Crow says, “Not that I’m
complaining, but by this time Gene Hackman was half way through the Poseidon.”
And you are really starting to agree with him, when the avalanche hits. You get
some unusual POV shots from the avalanche to which Crow comments “The Avalanche
has a Go Pro on.” The disaster provides so much fodder for Jonah and the bots
that they go into overdrive.
 |
| "You see when a man loves a tree very much..." |
Seriously the quips come so
fast and furious that you do end up missing quite a few of them. There is some
great material in there from the kitchen cheerleader to the observation from
Tom that “He fell in slow motion and they still couldn’t catch him?” It is a
shame the riffing goes so quickly that it gets tangled up in itself. Luckily
this is the last episode to really have this problem. From The Beast of Hollow Mountain forward, the riffing hits the perfect
pace.
One more thing to look for
at the end of Avalanche is a
hilarious series of quips from Jonah and the bots as they pretend to write up
reviews for David’s resort in Trip Advisor. These are all very funny, and the
boys do a great job delivering them as the meaningful music plays in the
finale.
 |
| If Neil Simon wrote the next Fast and Furious film. |
The host segments are OK,
with one stand out sequence. For the invention exchange the bots create a cool
new Dustbuster that uses the human mouth as it’s suction device. Jonah gets a
bunch of stuff caught in his “filter”. The Mads create a program that will
create an instant font and look for your movie poster. All you have to do is
say the title. The system is super sensitive, so it starts to pick up the Mad’s
conversation with amusing results. At the first break the bots are convinced
that the loud and pushy Rock Hudson is cool, so they try to emulate him. Jonah
talks them down. Then it is time for our special guest as Neil Patrick Harris
shows up as Kinga’s online boyfriend. The two sing a duet about how they are in
love but don’t want to actually touch each other. Patton Oswald as Max steals
the show as he pines for Kinga with his own little interlude.
 |
| I think I would pay to see Rabbitoxicity. |
But my favorite of the host
segments is inspired by a riff during the film. The boys come up with Syfy
channel original movie title and realize that those ridiculous MegaShark versus Crocosquid movies need
to stop. So they create a whole bevy of titles and trademark all of them so
Syfy channel can’t make them. These are hilarious, and the amount of titles
they come up with is impressive. Kinga and Max try their hand at a few too.
When the movie ends Gypsy comes down to provide some songs and entertainment
inspired by the boozy performance of David’s mom in the film. Her music touches
everyone, even Kinga.
Like the previous episodes
in Season 11, this one is entertaining, but it just doesn’t go much further
than that. The movie’s first half is so dull, and the guys do the best job they
can. The second half overwhelmed with the rapid-fire riffs that you get lost in
all the jokes. With some pruning of the riffs in the second half this could
have risen a full grade.
But as it stands I can only
give it three kitchen cheerleaders out of five.
This episode is available on
the Netflix Streaming.
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"Dear Trip Advisor, I found a cheerleader in my salad and
the dressing was not on the side. 1 1/2 stars." |
