The 80s closed with Licence to Kill and Timothy Dalton. It was a dark movie that left many viewers feeling that the James Bond franchise turned a corner away from the tried and true James Bond formula. But hope was on the horizon. In the mid 90s UA announced a new Bond film and a new actor in the role: Pierce Brosnan. For many hopes were rekindled. Brosnan was a favorite for the role before Dalton took over. Would Brosnan prove that he was right man for the job?
Summary
British secret agent, James Bond (Pierce Brosnan) is keeping a close eye on the Tiger helicopter, a vehicle impervious to electromagnetic attacks. He encounters the sexy Xenia Onatopp (Famke Jannsen), and manages to flirt with her quite a bit. But before he can do much more the helicopter is stolen. A few days later the helicopter is used to steal a secret Russian weapon, code named Goldeneye. This satellite based weapon can target a city and destroy all the electronic devices in a matter of seconds.
With such a dangerous weapon in unknown hands, M (Judy Dench) orders Bond to track down the Goldeneye, and stop whoever took it. His search take him into Russia where he meets lovely computer analyst Natalya Simonova (Izabella Scorupco), Valentin Zukovsky(Robbie Coltrane) and the mysterious Janus (Sean Bean). Bond will have to use all his wits, skills, gadgets (and tank driving abilities) to stop the villainous mastermind from using Goldeneye.
With such a dangerous weapon in unknown hands, M (Judy Dench) orders Bond to track down the Goldeneye, and stop whoever took it. His search take him into Russia where he meets lovely computer analyst Natalya Simonova (Izabella Scorupco), Valentin Zukovsky(Robbie Coltrane) and the mysterious Janus (Sean Bean). Bond will have to use all his wits, skills, gadgets (and tank driving abilities) to stop the villainous mastermind from using Goldeneye.
Good Points
- Pierce Brosnan embodies all the qualities viewers look for in a James Bond.
- Brings humor and a lightness back to the Bond franchise.
- The script brings Bond into the 90’s but keeps to the familiar Bond formula.
Bad Points
- The story has a lot of set up and the first hour feels slow
- Not as much action as later Brosnan era films
- Eric Serra’s score rubs a lot of people the wrong way.
Overall
When it comes to first films for a Bond actor, Goldeneye is one of the best. Brosnan nails the part, and is given a solid and entertaining adventure. The movie reestablishes the tried and true 007 formula and gives it a fresh coat of paint. A fine supporting cast and one of the best chase scenes in the entire franchise make this the most entertaining film of Brosnan's tenure.
Scores (out of 5)
Visuals: 5
Sound: 5
Music: 3
Acting: 4
Script: 4
Direction: 4
Entertainment: 5
Final Grade: 5
In Depth Review
Bond. James Bond. - 1995 |
A lot of people felt Brosnan got snubbed by not getting the role back in 1987. When Goldeneye was announced Brosnan was ready to take the role. The script for Goldeneye had been percolating for a while now (originally penned with Dalton in mind) and was reworked to fit Brosnan’s style. But what style would he bring to series? Would he follow Dalton’s lead and attempt to create a more nuanced Bond. Or would he follow in Moore’s footsteps and bring humor and lightness back to the series?
The creative team behind Goldeneye had two goals with this movie. The first was to assure the audience that this was a James Bond movie. All the classic elements first pioneered in Dr. No and perfected in Goldfinger were going to be on the screen. The second element was to show that the world around Bond has changed. The creators acknowledged that with a script that deals firmly with a post Cold War world. During the 1980s as Bond waned in popularity critics asked if James Bond could be relevant in a world that passed him and his 1960s origins by. The answer was captured in one of the tag-lines for the film: "The world has changed, he hasn't."
"Half of everything is luck." "And the other half?" "Fate." |
The creative team behind Goldeneye had two goals with this movie. The first was to assure the audience that this was a James Bond movie. All the classic elements first pioneered in Dr. No and perfected in Goldfinger were going to be on the screen. The second element was to show that the world around Bond has changed. The creators acknowledged that with a script that deals firmly with a post Cold War world. During the 1980s as Bond waned in popularity critics asked if James Bond could be relevant in a world that passed him and his 1960s origins by. The answer was captured in one of the tag-lines for the film: "The world has changed, he hasn't."
One of the best ways to capture the classic Bond feel is to provide plenty of globe trotting settings for bond to explore. Keeping in line with the more realistic look of films like For Your Eyes Only and The Living Daylights, much of the location shooting grounds the film. Shooting took place in Monte Carlo, Puerto Rico (doubling for Cuba) and St. Petersburg for the exterior scenes in Russia. These Russian scenes are some of my favorite in the film, and whenever I think about Goldeneye, that grey overcast sky always pops into my mind.
Looks like James saw him in "Mitchell" |
Goldeneye was probably the last of the James Bond films to be made in the pre-digital effects era. Most of what you see here is model work, blue screen and actual stunt work. Taking a page from John Glen’s direction (he filmed all the Bond adventures in the 80’s) all the action is done for real, unless there was particular danger to the cast or stuntmen. For example the bungee jump off the dam in the pre-credit sequence is done for real. However Bond’s freefall to the plummeting plane was done in blue screen (and is obvious with its mat lines and physics breaking maneuvers). Still the overall good outweighs the bad in the visual department.
Hanging out with Xenia is the real gamble. |
I also have to mention the opening credits. 14 James Bond movies featured opening credits designed and shot by Maurice Binder. His iconic work on Dr. No, Thunderball and You Only Live Twice created the look of what James Bond opening titles should look like. These mini music videos managed to give you a taste of the movie while being visual exciting at the same time. His work inspired so many other artists, not just other folks who create opening titles. Heck, his influence even spread to anime. Check out the opening credits to Gunsmith Cats or Cowboy Bebop to see Binder's influence.
The goldeneye watches us watching the action. |
Binder died in 1991, and so the creators of Goldeneye had to find someone else to handle the opening credits. Daniel Kleinman came on board and has worked on all the opening credits ever since (with the exception of Quantum of Solace). Kleinman took Binder's style, but modernized it. His work on Goldeneye is my favorite, with it's smashing statues, women with two faces (a reference to Janus) and of course, a golden eye.
Often considered one of the worst Bond scores, and even one of the worst movie scores of all time, Goldeneye took a real chance. Eric Serra was not an unknown composer. His work could be found in the films of French Director Luc Besson (The Fifth Element, la Femme Nikita). At the time Serra focused on electronic scoring, with a minimalist technique. There is a lot of rhythmic sound design in his score, especially for the action and suspense scenes. There is not a drop of jazzy to be found in those cues. It is literally the opposite of what John Barry used when he scored all the early James Bond films.
Yes, Bond is still smooth with the ladies. |
The main song Goldeneye sung by Tina Turner is excellent. It’s one of my favorite Bond themes, and really harkens back to the Shirley Bassy sound but updated for the 90’s. It’s a real shame that Serra didn’t use the music of this theme in his score. It might have helped it. However, the main theme was not written by Serra, but by Bono and The Edge (of U2 fame). The tune that Serra did write, The Experience of Loving is worked into the score and functions as the love theme. Without lyrics it works pretty well. But then we are treated to Mr. Serra singing the song himself during the end credits. This is not a good thing. It brings down the music grade by a whole point. Bad Serra.
Ah, Moneypenny. Still bantering with Bond. |
There is a bit of holding back in Brosnan’s performance, and it’s not immediately recognizable until you see the later Bond films. Goldeneye showed off the potential of Brosnan’s Bond. It opened the doors to what we’d see later. While I think that Dalton and Craig topped him in their first outing (they start the movie and you believe that they are James Bond), Brosnan is very good here and he’d only get better.
"I'm not listening. I saw how you treated Frodo." |
As far as villains go 006 or Trevelyan is one of my favorites. Sean Bean is very skilled at playing a hero, villain or flawed hero. He was excellent as Boromir in The Lord of the Rings. But it was his role in Goldeneye that made me a fan. His work in the pre-credit sequence does it all. He has camaraderie with James, one that comes from working together. He also has a strange darkness to him, a brutality that James seems to be missing. He kills unarmed scientists. He doesn’t flinch while mowing down Russian soldiers, or when he’s captured and telling James to “blow them all to hell”. Right here we know all about 006, and when he is revealed as the villain later in the film, we know this is going to be tough. It doesn’t hurt that Bean was considered for the role of Bond, and probably would have been great. Here, he takes on the role of the villain perfectly and makes it click.
M is about to give Bond a nice telling off. |
Bond doesn't mind death my muscular thighs. |
There's also Joe Don Baker as CIA agent Jack Wade. His performance has actually grown on me a bit over the years. He's no Felix Leiter, but that's the point. He's the ugly American stereotype, but it makes for a fun change of pace. I like him more in this role than I did as the villain of The Living Daylights.
The noire lighting of the final confrontation. |
Bond emerging from the shadows. |
But Martin Campbell’s direction works so well that it pulls us along for the ride. He handles the exposition heavy first half with skill, its still slow, but is entertaining. He takes time introducing the main players and reassuring the audience that James Bond and his world are back. It’s good stuff the first time you see the film, but when you revisit the movie it does drag a bit.
Campbell knows his way around an action scene, and when Goldeneye delivers the car chases, gun fights and fisticuffs it all works. He does a fine job with the tension of the pre-credit sequence. The final face off between Bond and Travelyn is brutal and the lighting and shadows in the scene give it a noire look. But the scene everyone remembers is the tank chase in St. Petersburg. .Everything clicks in this scene, it is exciting, ridiculous and funny all at the same time. Campbell makes sure all the action is easy to follow and appreciate something he did very well when he helmed Casino Royale.
James Bond was back. Audiences and critics really enjoyed Goldeneye and accepted Brosnan immediately as the new James Bond. The movie had something for everyone, it was entertaining, thrilling, fun and brought the franchise roaring back to life. I wrote a whole blog about how this film brought on it's own little mini-spy mania in the 1990s. It was a great way to start a new era for the series. It's a little sad to look back and realize that this first outing for Brosnan would be his best one.
Yep, this is my favorite film of the Brosnan era, and one of my favorite Bond adventures of all time. So much of it works so well, and I enjoy it every time I watch it. Even flawed moments like the end credits song, or the first half that drags don't hurt the overall film too much. And yeah, there is a lot of nostalgia for me associated with this film. But the movie holds up each time I watch it, and that does count for something.
Why drive around buildings when you can go through them? |
Bond picks the tank over the BMW, this time. |
Yep, this is my favorite film of the Brosnan era, and one of my favorite Bond adventures of all time. So much of it works so well, and I enjoy it every time I watch it. Even flawed moments like the end credits song, or the first half that drags don't hurt the overall film too much. And yeah, there is a lot of nostalgia for me associated with this film. But the movie holds up each time I watch it, and that does count for something.
"How long is this review!?!" |
I like Dalton, too. The screenwriters had lost their way somewhat (after all, it was "the end of history") but Dalton did fine with what he was given.
ReplyDeleteThe writers regained their footing with this one. Dalton could have handled it, but there was nothing wrong with Brosnan. I like Dench as M too. I'm already wondering who will fill the Bond role when Craig inevitably moves on. Will they opt for a non-dinosaur? Emma Watson perhaps?
They've toyed with the idea of a female Bond since the 70s. Each time there is a transition it comes up. I'm not sure if the creators are that daring, it could be fun, but some fans would unleash their hatred at the idea, even if it was Emma Watson (who would be great!)
DeleteThey toyed with the concept by adding Halle Barry in "Die Another Day", but that just didn't take off with anyone. Once again, I blame the writers - that movie was such a mess and they didn't really play to Barry's strengths. The whole Jinx spin off idea just fizzled out right there.
Xenia Onatopp? Ok, I'll buy that. If I've seen this 007 film, I don't remember it at all. I didn't know Dench was playing M by this time either. Sounds pretty interesting, have to give it a spin as time allows.
ReplyDeleteI don't know that I'd go for a female Bond. I don't mind other female agents being in the mix, but the character should be male, shouldn't they? I'm not a huge Halle Barry fan either. I'm wondering if her new SF television series will be any good. I'll at least give it a try and hope it's well conceived.
Yeah, the really horrible female character names were going strong in the Brosnan era. Onatopp was one of the silliest, but I still think Christmas Jones was the worst and only around to make really bad sexual puns.
DeleteBarry has her good points, and is good in certain roles. But the tough secret agent was really really not one of them.