When it comes to the James Bond series, everyone has their favorites, and their least favorites. Some folks will champion some of the lesser loved films. Other madmen will call Goldfinger a merely average film. But there are a few James Bond films that most folks can agree on. The Man with the Golden Gun is one of those. But do they consider it a winner or a stinky dog best left alone.
Summary:
British secret service agent
James Bond (Roger Moore) discovers that he is on the hit list of the most
dangerous assassin in the world. The killer is named Scaramanga (Christopher
Lee). He charges 1 million dollars for each job and always does it with a
golden bullet, shot from a golden gun. He’s never failed an assignment, and the
gold bullet with 007 etched in it means Bond is next.
This is a bit of a problem
since Bond is attempting to track down a solar cell that may solve the world’s
energy problems. M (Bernard Lee) takes Bond off the case, and lets him go on
leave. Bond takes the opportunity to track down Scaramanga. The journey takes
him to Beirut, Hong Kong and Bangkok.
Along the way he teams up with Goodnight (Britt Ekland) a klutzy but
cute civil servant, and Hong Kong agent Hip (Soon-Tek Oh). But he must also
face Nick Nack (Herve Villechaize) Scaramanga’s height challenged henchman, and
figure out what side Andrea (Maud Adams) will play for. It all comes down to a
face off between James and The Man with
the Golden Gun. Winner take all.
Good Points:
- Christopher Lee is a excellent villain
- The location shooting is impressive
- The final duel has some very tense moments
Bad Points:
- The tone never figures out what it wants to accomplish
- The script is horrible
- The pacing is lethargic
Overall:
What kills me about this
movie is that you’ve got all the ingredients for one of the best James Bond
adventures ever. Lee makes a perfect foil and dark mirror for James Bond. When
he’s driving the story, the movie works at it’s best. But the humor is handled
very poorly, the tone tries to juggle edgy and super silly from scene to scene.
It doesn’t know what to do with Goodnight. The pacing meanders, never creating
any urgency. This is certainly one of the weaker entries in the series, but not
quite the worst.
Scores
(out of 5)
Visuals: 4
Sound: 3
Acting: 3
Script: 2
Music: 3
Direction: 2
Entertainment: 2
Total: 2
In Depth Review
Bond is keeping an eye out for the screenwriter. |
While Live and Let Die wasn’t a triumph, it did achieve what it set out
to do, put Roger Moore firmly in the role of James Bond. He seemed a natural
fit and for the most part, when that movie was working, it was because of
Moore’s easy charm and skill in the role. I can imagine that he was pretty
hopeful about the follow up film; especially when he found out he would play
opposite one of the best actors to play a villain in the 1970s, Christopher
Lee. How could this not work?
It all comes down to the
script and lack of concept behind The
Man with the Golden Gun. Everyone knew that Roger Moore could handle
comedy. Everyone felt that folks wanted to see a less serious Bond film, and
have more fun at the movies. But the problem is, no one really figured out how
to best utilize Moore, and focus the script. The result is a film with split
personality. One moment it tries to get edgy and dark. The next we have James
Bond in mortal peril because of a woman’s butt. I’m not kidding.
The movie provides some wonderful exotic locales. |
But the film isn’t a
complete waste of time, and the first reason is the wonderful location
shooting. You’ve got some great sequences in Macao, Hong Kong and Bangkok.
Everything from the inside of casinos, to lovely views of Kowloon Bay and
surrounding city are a sight to behold. The chase scene in Bangkok provides
plenty of visual eye candy. But the most amazing location is in Phuket in
Thailand. The islands of Phuket create some of the most memorable visuals in
the James Bond series. The way the rocks stretch up like pillars is amazing. It
seems the perfect spot for the finale of The
Man with the Golden Gun.
Less impressive are the sets
used in the film. Ken Adam was not brought on for this film and the production
design was also limited by the budget. The result was some really unimpressive
sets that just don’t measure up to the larger scope of the James Bond films.
But really, that type of set wasn’t needed in this film. Because the script
inserted the whole solar cell MacGuffin, it probably felt like they needed to
have an exploding lair sequence. All it did was end up making the film look
cheap, something no other James Bond film ever suffered from, even Dr. No.
Nick Nack attempts some karaoke to Lulu's title song. |
The sound work is up to
scratch. Nothing stands out, but the gunshots, squealing tires and fisticuffs
sounds all work well. For the musical score, composer John Barry was brought
back. He brings his lyrical sense with him, and creates a James Bond score that
was less funky than Live and Let Die,
but more in line with the sound he created in You Only Live Twice. The tune for the song The Man with the Golden Gun is used quite a few times and handled
well in the score. He adds a bit of Asian flair, but keeps it on the lighter
side, arguably tongue in cheek. His action music is still pretty fun, and helps
move those scenes along. It’s not a great Bond score, but it’s solid work by
Barry.
As for the song itself, well
it’s really a doozy. Lulu sings it with a sassy brassy style. But the lyrics
are so ridiculous you can’t help but laugh. I mean, they are eye-rollingly bad.
You’d think they came from a James Bond parody. At the same time there isn’t
much they could do with that title. I find it to be a song that is so bad, I
get a kick out of it each time it comes on.
Lee adds some much needed danger to the film. |
This brings us to the acting
in The Man with the Golden Gun.
Well, part of the problem here is that the script is so bad, I can’t blame the
actors for not being able to pull some of this off. Let’s start with the good,
Christopher Lee makes a great James Bond villain. He’s cold, calculating,
urbane and intelligent (for the most part). His scenes are always the best of
the film, and his interaction with Moore makes for some of the best moments of
the Moore era. Villechaize makes for a good henchman. His small size makes for
a deceptive villain. He’s got a sadistic streak in him, and there is an added
playfulness that makes it work. The script does end up failing the two
characters. Scaramanga does some really stupid things near the end of the film,
and they seem out of line for the character. Nick Nack is played for laughs a
few too many times, and it cheapens the character in the end.
The two ladies fare little
better. Adams is sultry as Andrea, but her part is under written. I’m not sure
if the writers knew what to do with her, other than make her into a plot point.
What we get isn’t bad, but I always wish they did more with her, either make
her a co-villain, or work her into the story better. Ekland looks great in a bikini.
She plays ditzy fairly well. But Goodnight is pretty much around for eye candy
and laughs. It’s a thankless role really, and Ekland does what she can, but
frankly her character annoys me. She ends up getting into numerous scrapes, and
is only around for Bond to rescue or kiss.
This karate scene is a miscalculated mess. |
This leaves us with Moore.
Roger had it rough in this one. One minute he has to be a cold brutal agent,
the next he’s in a silly karate battle that’s setting up one lame joke after
the other. Then he’s got some horrible scenes with J. W. Pepper (Clifton
James), and then gets his great scenes with Lee. James Bond is not clearly
defined in this film. Even in Live and
Let Die he seemed clearer in concept then in The Man with the Golden Gun. The result is Moore’s most uneven
performance. He doesn’t quite nail the darker scenes when he interrogates
Andrea. The humor doesn’t play to his strengths, and so scenes where he
chastises Goodnight come off badly. Moore is capable of both side of Bond. His anger
in For Your Eyes Only is played perfectly.
He is able to keep the parody mode of Moonraker
fun. But in this film, he is scuttled time and again by the script.
Guy Hamilton is once again
at the helm here, and like his work on Live
and Let Die and Diamonds are Forever,
there are some serious pacing issues. The movie just meanders around, never
getting any urgency or momentum. Tension is kept to a minimum, with only the
Scaramanga scenes providing any kind of thrills. But I think most of that comes from Lee's sheer force of will. Hamilton does provide some good framing for the location
shooting. But he doesn’t handle the action scenes very well. The chase scene is
lifeless. The amazing stunt involving a 360 roll in mid air is the highlight.
But a stupid slide whistle effect turns it into a joke. Other moments, like the
whole karate school segment feel like a bad joke poorly executed.
Once again Hamilton directs
a script that is set pieces in search of a story. The Man with the Golden Gun is the most interesting of the three Hamilton
films from the 1970s. It has some very good moments, but the typical problems
of pacing and poorly executed humor injure this one. Hamilton was picked
because of his work on Goldfinger
and the resulting popularity of that film. But when looking at the four Bond
films he directed, they are overwhelmingly some of the weakest of the bunch. The flailing of the script and direction
here seriously derail what could have been a classic Bond film. It would take The Spy Who Loved Me to really get the
right tone for the Roger Moore era. Looking at the behind the scenes issues
during The Man with the Golden Gun I’m
willing to give it a little bit of a break. The two main producers of the
series were in the middle of a falling out. But it doesn’t make it an average
film. It’s better than the two movies that preceded it, but not by much.
Goodnight's butt is about to kill Bond. |
Well, I had a crush on Britt Ekland at the time -- to the extent that my first serious girlfriend was a lookalike. (Yes I can be that shallow.) So, I've always given this one an easy pass. On the other hand, when I finally met Britt, the photo I asked her to autograph was from Wicker Man, which probably says something.
ReplyDeleteHey no worries. I don't blame Britt for this film being a sub-par. I wish they had given her a bit more to do, other than play the ditz. And really at least her character is supposed to be a bit of a bimbo. Other characters like Denise Richard's character are supposed to be brilliant scientists, and behave like bimbos. So that is definitely the sign of a worse performance. :)
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