Introduction:
This movie really divided
folks back when it was released in 1999. I remember recommending it to renters
in the video store. Some of them coming back loving it and others hating it. At
the time, I figured the movie hit a little too close to home, and some viewers
were just angry with it. But some time has passed, and maybe I just need to
look closer…
Summary:
Lester Bernham (Kevin
Spacey) says the following in the beginning of the film, “My wife and daughter
think I’m a loser. And they’re right, I have lost something”. It doesn’t take
too long for Lester to be shocked into action. His daughter’s friend Angela
(Mena Suvari) becomes a vision of Aphrodite for him, and he starts to
fanaticize about the teenager. His wife Carolyn (Annette Bening) can’t seem to
catch a break in her real estate business and becomes more frayed by the day.
Jane Bernham (Thora Birch) thinks both of her parents are “lameos”. Luckily she
meets the boy next store.
The new neighbors are the
Fitts. Ricky (Wes Bentley) is a young loner who spends his time selling weed
and filming beauty on his camcorder. His father Col. Frank Fitts (Chris Cooper)
is as straight-laced and hard assed as they come. His wife Barbara (Allison
Janney) is suffering from some kind of mental fugue, as she wanders the house
in a daze.
Both families will warp and
change over the next few days, as they come to realize that there is beauty in
the world. Sometimes it is on the surface hiding something dark underneath.
Other times American Beauty is right
in front of you, you’ll only see it if you look closer.
Good Points:
- Some amazing visuals that tell the story and themes at various levels
- Excellent cast and acting
- An innovative score by Thomas Newman
Bad Points:
- Can be seen as pretentious and artsy
- Doesn’t tell a new story or reveal a “hidden truth”
- The slower pace will bore some viewers
Overall:
I can still see why this
will divide some viewers. The message about mid-life crises and futility of
suburban life is enough to make some people sick. I still think some folks will
see too much of themselves in these characters and take offense. While my
enthusiasm for the film has cooled a bit, I still think that the visual style
on display and the top-notch acting by a pitch perfect cast makes this well
worth seeking out, or revisiting.
Scores
(out of 5)
Visuals: 5
Sound: 3
Acting: 4
Script: 4
Music: 4
Direction: 5
Entertainment: 4
Total: 4
In Depth Review
Quoth Lester, "I RULE!" |
But the thing is, these
angry folks need to take the films advice, and look closer at American Beauty and realize that there
is some amazing cinematic skill on display. Even if you don’t like or agree
with the message, doesn’t mean you can dismiss the whole film out of hand.
Director Sam Mendes has been
very selective with the films he directs. American
Beauty was his first film, and he followed it up with The Road to Perdition, Jarhead,
Revolutionary Road, Away we Go and the James Bond flick Skyfall. One common thread in each of
these films is the amazing visuals on display. Everything from the lighting,
the framing and the camera movement is designed to accentuate the story,
enforce the themes and create a mood. You can take any scene in this film and
it will tell you several things at once. You don’t see this type of visual
attention too often, and it’s always a pleasure when you do.
What she sees is not who we see. |
The infamous scene in American Beauty where Ricky and Jane
watch a movie of a bag blowing in the wind delivers the main theme of the film.
Ricky calls it the most beautiful thing he’s ever seen. He speaks about how
beauty is all around us and when you realize it, the feeling overwhelms you.
Bentley delivers the lines with such conviction that you believe him. At the
same time, many viewers find this whole scene to be so pretentious and
ridiculous that they want to throw something at the screen and wring Ricky’s
neck.
True beauty, or true pretension? |
I kind of get it. But at the
same time I see where Ricky is coming from. His dialogue in that scene made
sense to me, and I could connect with him. Seeing things in another way can be
alienating. It’s difficult because everyone is telling you, you’re wrong. It’s
takes courage to say, “What if we looked at it this way?” So many people only
see things the way they want to. American
Beauty shares this idea with David Lynch’s Lost Highway a couple years before. Lost Highway is about a man who remembers things his way, “Not
necessarily the way they happened”. I think a lot of people are like that, and
don’t want to see things another way. It’s difficult to handle life as you see
it, to imagine life from someone else’s view is too much.
Red on white - colors that repeat during the film |
Beyond the visuals, the
acting is the other key component here. Spacey as Lester and Bening as Carolyn
are perfect. Spacey is great at acerbic and disillusioned, and he makes the
transformation of Lester a very real one. Bening also balances an intensity and
desperation that is believable and pitiful. I always start the film disliking
her, but in the end I feel sorry for her, and hope that she’s able to hold onto
that moment of freedom that she obtains.
Jane and Ricky watch death drive by |
Last but not least is Chris
Cooper as Col. Frank Fitts. It seems like a very superficial character. But we
see a lot of levels going on here. The final scenes with him confronting Lester
are handled so well. The look in Cooper’s eyes is perfect and does so much for
that scene. Re-watching the movie, knowing what is coming, you can see how much
Cooper put into the performance. This man has some serious issues, and they are
all layered within.
The music by Thomas Newman
is a curious beast. I blogged a bit about it here. It fits the movie like a glove, being both bright and
atmospheric when it needs to be. Newman uses some unique instrumentation that
on the surface shouldn’t work. But it all does. Combined with some perfect song
selections, the musical soundscape of the film works wonders.
What Col. Fitts sees is not what we know. |
No the message is not new.
Even the images aren’t new. But what is new is the concept of watching and
looking. 1999 saw the advent of another film that focused on watching and
seeing. The truth was sought and the perspective was from a hand held camera. The Blair Witch Project used its
footage to show the truth of what happened to those who sought the truth. American Beauty does something very
similar. Ricky’s camera captures the true beauty, even if it may not be
immediately apparent. It’s
interesting to see how the use of the handheld camera as an image of perspective
would really become popular in the 2000s, after both these films got the
concept rolling.
I don’t like the word
pretentious. It is thrown around without much thought. I always get the feeling
that if someone doesn’t’ like the message of something they use that word to
put down the creator. Pretention implies that the creator is out to make a
grand statement that he or she feels you need to know for your own good. The
only way to do this is to talk down to you. But like everything else,
pretention is in the eye of the beholder.
Lester gazed upon an American Beauty |
But that assumes that they
aren’t just telling a story about two families during a time of change. For me
the message is: you can’t be happy until you are at peace with yourself and
your life. Ricky is the only character who is happy with his life (for the most
part). Each character gets a taste of that peace (except for Col Fitts and his
wife). It takes a moment of contemplation, to see yourself from another point
of view and understand that maybe, just maybe, what is the social norm is not
the key to happiness for everyone.
This scene offers many perspectives |
I used to love this movie. This was back when I
really loved art films and thought I knew more than any one else. I’m older
now, and realize I don’t know much at all, and I know there’s a place for art
films and place for popcorn flicks. American
Beauty is a very good film, but misses greatness for me. Its got a bit of a
dark sense of humor to it, and that makes it entertaining. But it does feel a
bit heavy on the delivery of the message over the telling of the story. It
makes the film feel heavy-handed at times, and the methodical pacing isn’t
completely warranted in all aspects. For a first time film director, it’s an
impressive feat. It also showed us Mendes two great strengths were apparent
from the beginning – strong visuals and the ability to get great performances
out of his actors.
The red door hides many secrets. Look closer... |
ReplyDelete“But I was so much older then, I’m younger than that now” – Bob Dylan, “My Back Pages”
Our assessments do evolve over time, and not always in predictable directions.
I remember Roger Ebert saying at Oscar time that, while he liked the movie, the fact that “American Beauty” was Best Picture was a comment on the weakness of the field in 1999. I know what he meant. I like this pic, too, but not so much that I intend to see it again – which is my standard for films I love. I might in fact watch it again some night (depending on the weakness of the field on satellite), but I’m not likely deliberately to seek it out.
Is the movie pretentious? Yes, but that’s OK. It’s pretentious in the way that so much coffee house beat poetry was pretentious, or that the young Dylan was pretentious. The film, the Beats, and Dylan are cool anyway. If the artists seem to look down on us, their (entirely conscious) pretension invites us to look down on them – it’s a wash, but the art, poetry, and music remain. (I had something like this in mind when naming own blog site “Richard’s Pretension.”) The would-be gurus who are clueless about their own pretentiousness are the ones who inspire eye-rolls.
There is a lot going on in this movie: sexual repression, false expectations, materialism, sublimated anger, and more – all of which lead to ugliness. But there is also beauty both in expected and unexpected places, including in that plastic bag, however puffed up by pretension it might be.
So, yes, I like it, too, but, like you, I see why some viewers wouldn’t – especially those for whom, as you say, the film seems too much like home.
I love your definition of "pretension". That pretty much fits my thoughts on it too. :) As I mentioned I see that term thrown around a lot, but I don't think it's warranted in all those cases. It's up there with "over-rated" and "under-rated". I think over-appreciated works a little better.
DeleteWhat is surprising to me is the real anger I see in comments and reviews of this movie (more-so now then when it was released). "American Beauty" really ticks some people off!