Summary:
It all begins with the short
film from 1956, Once Upon a Honeymoon.
All songwriter Jeff (Ward Ellis) and his wife Mary (Virginia Gibson) want to do
is go on their honeymoon. They were married a year ago, but Jeff was so swamped
with his work on a play that the honeymoon was put off. Just as they are about
to leave, they get a call from Jeff’s boss. The lead actress in the show is
demanding a rewrite of the song. Despair starts to creep in as the couple
attempts to come up with a song. Little do they know that their guardian angel,
Wilber (Chick Chandler) has a bit of heavenly magic ready to help them out.
Night of the Blood Beast begins with an astronaut John Corcoran (Michael
Emmet) crash landing on earth. He doesn’t survive, but NASA picks up the ship
and the body to study just what went wrong. When the crew gets back to their
station, they find that they all contact to the outside world is blocked out by
a powerful magnetic force. Before you can say, alien life form, one of the
scientists is killed gruesomely and a strange shape is seeing wandering around
the base. On top of that John comes back to life – and he’s got a little
surprise. Turns out he didn’t come back alone. Incubating inside his body are
small living creatures of unknown origin. What other horrors will be revealed
during the Night of the Blood Beast?
Movie Review:
Every once in a while Mystery Science Theater 3000 would find
a short subject that was so bizarre, so unique, that it would defy
comprehension. Once Upon A Honeymoon is
right up there with Out of this World
and Mr. B Natural.
This is little movie
combines elements of It’s a Wonderful
Life with a ‘50s musical extravaganza. The opening scene with the angels
floating around on cloud nine is certainly bizarre enough. But when Wilber
cruises down to the roof of the house and uses his portable phone to call the
head angel, you’ve just got to wonder what kind of pills the creators were popping.
But the real puzzle is
figuring out the point of the whole enterprise. It’s obvious that this is a
short film advertisement for something. But unlike the outrageous Design for Dreaming which clearly made
its goal the exciting cars of the 1956 Motorama, this little film never clearly
points out what its hawking. It took multiple viewings for me to finally
realize that this was an extended ad for designer color phones. And no one was
going to watch this thing multiple times, except for fans of MST3K. You see, as
Mary is singing and dancing around, wishing for new interior designs for her
house, she made sure to mention the different color phones she can get for each
room. Also notice how Wilber the angel uses his portable phone, and the boss
makes a big deal of using conference call and speakerphone technology.
So, compared to Century 21 Calling it’s a failure as an
advertisement. But for sheer goofiness it’s a hoot. The wishing song is
ridiculous in the extreme. The acting is over the top. The dance sequences are
silly. Wilber the angel presents a whole new take on floaty. It’s just packed
with everything a fan of absurd cinema could want in their short film.
Executive producer for Night of the Blood Beast is Roger
Corman, and that should give you a hint of what’s in store. Corman can be
really hit or miss. And the fact that this film was paired with She Gods of Shark Reef may have you
worried. But there is some interesting stuff in this movie even if (as Mike
puts it) the film has been thoroughly Corman-ized.
I liked the interesting
twists involving the alien creature (played by a shambling Ross Sturlin). When
it reveals its intentions at the end, it’s actually kind of interesting. The idea
of the creature using the dead body of John as a living incubator was unusual,
as was the fact that John was still technically dead. Sure he could walk and
talk and even remember his fiancé Julie (Angela Greene). But he was obviously
affected by the power of the creature.
There is an interesting film
in the middle of this movie. But it does struggle with a few things typical of
a low budget film of the era. The first is scope. The rocket ship used in the
early portions of the film is pretty silly looking, and extremely small. Worse
still is the official NASA equipment used in the film, an old farm truck and
what looks like an abandoned radio station as a home base. None of this looks
official in the least.
Our team of scientists look
even less convincing. Dr. Wyman (Tyler McVey) is the best of the lot, playing
the older gent with all the knowledge (and all the long talky scenes). Steve
(John Baer) seems to be around to do the heavy lifting and Dave (Ed Nelson) is
around to be aggressive. Donna (Georgianna Carter) is around to look cute and
take photos. Oh and to be threatened by the Blood Beast. The acting works OK
for a flick like this with Carter being the weakest link. Admittedly her part
is extremely thin anyway.
The real issue is the
pacing. There are lots and lots of talky scenes with little pay off or
suspense. There are also several montages of walking (a Corman favorite). I can
appreciate the idea to keep costs down by staying on one set, but the film
never does much with it (unlike John Carpenter’s The Thing which used its isolated setting to excellent advantage).
The scenes with the Blood Beast creeping around almost work at times, but
director Bernard Kowalski
never manages to pull it off. I had the same issue with his film Attack of the Giant Leeches.
The final result is that the
movie has enough oddities in it to make it interesting, but enough issues to
bog it down too much. But Mike and the bots are ready and raring to tackle the
Blood Beast.
Episode Review:
What better way to start off
the truncated season seven of Mystery Science Theater than with a Roger Corman
“classic”? Not only did Mystery Science
Theater 3000, tackle this film, but they also aired it on Thanksgiving of
1995, as part of the Turkey Day Marathon. As such the episode has two unique
sets of host segments: one them revolving all around Thanksgiving. So here you
go, the Thanksgiving episode of my favorite show.
For the most part, season
seven is a final hurrah for the cast and crew. You get the feeling here that
they were going to go out with a bang, and why not start with something that
fit their MO – a black and white sci-fi film with no budget. Having already
tested their mettle with some of the most painful films ever made in season six
(Coleman Francis trilogy of pain, not to mention Starfighters and Racket
Girls), even this slog-fest from Cormanland couldn’t keep the boys down.
Besides they start out with
the amazingly goofy Once Upon a
Honeymoon. From the minute the credits kick in Mike and bots just let the
riffs fly and the short just keeps on giving. The angel board meeting offers
all kinds of silly office related humor. When Wilber floats down to land on the roof of the house and
gets tangled in the television antenna Tom quips, “They just got immaculate
reception,” I also loved all the jokes they give Jeff as he grumbles and
grouses about writing the new song and putting off the honeymoon: and all the
sex that entails. During one scene as he scowls at the screen, his wife wanders
over and asks how it’s going. Crow responds with “Here’s how far I got: LAA!”
The wishing song and the
dance sequences offer all kinds of hilarious riffing opportunities. Tom does
what he does best, add hilarious riffs to the music and lyrics. When a dance
number starts, Mike focuses on the painful smile on Jeff’s face and says in a
strained voice “Honey, help! I can’t stop smiling!” Mike decides that the film
“is the perfect pairing with Eraserhead”.
While that is a hilarious thought,
I believe that Once Upon a Honeymoon is
one of the perfect pairings for Mike and the bots.
The movie proves a little
tougher, but not too much. As usual the talky scenes and walking scenes are a
challenge for riffing. But the guys focus more on the low budget “NASA”
equipment the crew uses, especially “Fred Sanford’s truck”. I also like Crow’s
comment, “If the name says Corman, then there’s gonna be walkin’.”
They also get confused
during one of the talking scenes on the name of one of the characters. It
appears that Judy refers to two different men as Steve. So Mike and the bots
just start calling everyone Steve – even Donna! This was very similar to Joel
and the bots getting confused with Ken in Fugitive Alien.
But for me the best jokes
revolve around the monster and the pregnant John. Crow identifies the monster
as “Barney after his horrible ordeal with the wild fire”. Mike gasps in horror
when its revealed that John “is pregnant with shrimp”. This leads to all kinds
of pregnant humor from the boys. But Tom notes that Night of the Blood Beast is much better than the Arnold Schwarzenegger
vehicle Junior.
The main host segments
revolve around Thanksgiving. It all starts when Dr. Forrester discovers that
Frank invited a whole bunch of people over for Thanksgiving dinner before he
disappeared at the end of season six. These include appearances from many
visitors from seasons past including Pitch from Santa Claus and Jack Perkins from his appearance in Fugitive Alien. Forrester’s mother
Pearl also shows up to make his life miserable. With each passing break the
Thanksgiving meal goes downhill as Dr. Forrester continues to screw things up
and his guests complicate matters (Kitten with a Whip keeps throwing up
hairballs in and on the food). On the satellite Mike has to act as a ref as the
bots tackle the age old debate: stuffing or mashed potatoes! Later Pearl and
“Art” (Pearl keeps calling Crow that) catch up on old times. The feast ends
with Dr. Forrester and Pearl gloating as all the guests react to the Turkey
Surprise.
This is a solid episode. The
short is one of the funniest they tackled. The movie is an above average riffing
session and the holiday themed host segments hit the spot.
I give it four baby shrimp
out of five.
I think I need to put four shrimps on the barbie.
ReplyDeleteAlas this movie was not made in Australia. In fact I'm not sure if MST3K ever tackled an Australian film. But they did mention the infamous Yahoo Serious in a sketch and wished and escape pod would fall on him. Does that count?
ReplyDelete