Welcome to the Old West! Or
at least Roger Corman’s version of the Old West. In a small town Rose (Beverly
Garland) is happily married to the marshal of these parts. But when her husband
is gunned down in cold blood, Rose decides to take the law into her own hands,
literally. She demands that the mayor make her the marshal until the new one
arrives.
With this power, Rose starts
tracking down the men that killed her husband. But she also suspects that the
sultry, sneaky saloon owner Erica Page (Allison Hayes) is the real power behind
the crime wave. Turns out she is right! Erica hires infamous killer Cane Miro
(John Ireland) to kill Rose. But Cane takes a shine to the firebrand marshal.
Erica is never one to put all her eggs in one basket, and begins to weave a web
to destroy this lady Gunslinger and
might take the whole town with it.
Movie Review:
"Do you think Corman is still filming us?" |
Let’s take a look at the
good points first. Corman and his crew mostly filmed this on location. There
were plenty of Western sets still in use when Corman tackled the movie. In fact
many of the locations look like old Paramount Ranch, which appeared in plenty
of movies and television series including Doctor
Quinn Medicine Woman. In any case, the dusty trails, rolling hills,
chaparral, and twisted oaks give Gunslinger
a classic western feel.
Most of the indoor sets work
well too, including the Red Dog Saloon and the marshal’s office. The only bits
that doesn’t quite convince are the hotel rooms where Erica and Cane plot. As
Joel and the bots point out, doors to hotel rooms don’t usually open out, nor
do they have numbers facing the inside of the rooms. This leads to some very
funny riffs about having trysts in the hallway of the hotel.
Erica doubts the veracity of your claim. |
Speaking of Erica, Allison
Hayes is just as good playing the deceitful antagonist in Gunslinger. She has an alluring way to her, and you can see why Cane
and Little Man (Jonathan Haze) are attracted to her. But she also reveals a
steely determination that matches Rose. Of course Erica is out for herself,
looking to cash in on a huge property scheme. It is a delightfully devilish
performance, only hampered by the clumsy dialogue she has to deliver.
Ireland plays Cane Miro as a
typical tough guy who has a dark past. We get to know why he turned into a
gunman for hire, and all around criminal (from Tombstone no less). When he’s
playing up the cold killer aspects of the character, Ireland makes it work. But
the scenes where Cane and Rose start falling for each other never really click.
I don’t think the two have much chemistry, and it makes that portion of the
film feel a little flat. But all in all, Ireland gives a solid performance.
"Breakfast any time? Well I'm ready for flapjacks!" |
The story at the heart of Gunslinger has a lot of potential. The
idea of a marshal’s wife watching her husband getting gunned down and then
taking up the star herself is full of potential. I especially like the idea of two
powerful, confident women waging a battle against each other in this small
frontier town. Each one doing what she thinks she has to do. In the middle of
this is Cane Miro, a man that has a past with Erica and starts to fall for Rose.
He becomes a key piece in the chess game, but who will end up controlling him?
Executed with skill, Gunslinger could
be considered well ahead of its time.
Alas this is a Roger Corman
film. It just wasn’t going to happen.
N
ow, I know Corman is
admired in many circles. I will say that when he made some good movies in his
time. But I will also say that he showed potential in many films, including Gunslinger, that I think he had a real
knack for selecting and writing interesting story concepts. But the execution
of those stories, from the script level especially isn’t strong enough to build
a really great movie on.
She switched his coffee for flavor crystals. Lets see if he notices. |
Knowing Corman, the actual
script for Gunslinger was hashed out
in a matter of days (or even hours). The result is an unfocused script that muddles
itself far too often. Not that the film is confusing or complex, but it loses
track of what it is trying to deliver.
A simple example is how they
handle the killers who targeted Rose’s husband. Rose manages to shoot one of
the men as they two ride away. And then the other guy shows up at the funeral
of the man he just killed! Who does that? Rose spots him and guns him down
right there. The silliness of that scene aside, it would have made for a more
compelling film to leave one or both killers alive, and focus on Rose putting
together the pieces of the plot and hunting them down. We could see her skills
as a detective, work in some action, and build up Erica at the same time. Erica
would obviously be watching Rose work with rising concern and then send out for
Cane Muro who would arrive in the middle of the film after Rose takes out the
last of her husband’s killers.
I just came up with that
solution, and it works much better than what we ended up with. The movie is
filled with script opportunities like that.
Make out session in the hallway and Wormy isn't pleased. |
Cane Muro suffers the most.
The idea of the lone wolf in the thrall of two women has plenty of story
potential. But, as I mentioned, the chemistry between Ireland and Garland just
isn’t there. Those scenes fall flat. But they could be avoided by having Muro
admire Rose’s tenacity and skills. It doesn’t have to be love, but respect that
increases as the movie goes along. He could even realize near the end that he
is outmatched and outwitted by both women, and become a tragic figure in this.
His final shootout with Rose could be a more desperate one, as he realizes that
she’s just a better Gunslinger and
his number is up. That would have made an even more edgy film, especially for
1956.
The final shooting script
has too many silly lines, meandering conversations, and unclear character
motivations, or moments that run contrary to what we think the characters are
after. It’s a mess, and it impacts the acting too. I get the feeling that
several members of the cast were just not sure how they were supposed to play
certain scenes.
"Mayor, you got to get them to stop calling me Wormy!" |
Gunslinger
isn’t a horrible film. But with a little more time, a little more care, it
could have been a fondly remembered classic that was ahead of its time. Hell,
Beverly Garland could have become one of the greats of the genre if given a
chance. She does ride off into the sunset at the end of this film. I bet she
could have appeared in a follow up or two. Alas, we get a sluggish mess that in
some ways is more frustrating than an out and out bad movie. But it provides
Joel and the bots with plenty of material.
Episode Review:
"Love what you're riding. Pinto?" |
In all honesty Gunslinger is one of those episodes
that I have to be in the right mood to appreciate. It all comes down to the
pacing of Corman’s movie. It is deadly dull in spots. If you are not prepared
to be bored by aimless dialogue than getting through the film can be difficult.
But if you are ready to take is nice and slow, this is really a well-riffed
episode.
His only crime was making too many beans. |
A lot of the riffing comes
at the expense of the poor editing and some of the budgetary seams that start
showing up all over the place. There is a hilarious moment where the camera
pans to the right, and you can clearly see two riders waiting for their cue.
Tom yells, “Action!” and they start riding “into frame”. A similar moment
happens where the scene starts with Alison Hayes obviously waiting for her cue,
and the start of the scene. Joel and bots just crack up and Crow sighs,
“Corman!” with incredulity.
They are so naughty. Naughty they are. |
The Red Dog Saloon is a
source of a lot of jokes. Erica keeps insisting that “The Red Dog Saloon is
open 24 hours,” to which Crow chimes in, “Breakfast any time.” Whenever the
can-can dancers appear on the screen, Tom offers numerous back-to-back riffs on
their routine including helpful choreography tips such as “Spank and spank and
spank and you’ve been bad in the tushy.”
They also have a lot of fun
with Jonathon Haze’s character, who they dub “wormy”. When he tries to show
Erica how he can take out Rose with a rifle, pretending his broom is the
firearm, Crow chides, “Wormy, that’s an O Cedar!” And when Haze attempts to
mount a horse for a secret mission, Joel provides the voice of the horse
grumbling, “Oh no, not Wormy. Have some mercy!”
The pacing does present a
challenge, as do some of the longer talking scenes between Erica and Cane in
the hotel/hallway. But the boys do a pretty good job overall.
Pony express... or Gypsy express? |
For me, this episode is a
fun one, not a favorite, but one that I usually enjoy when I revisit it. If you
are a fan of westerns, Beverly Garland or even Roger Corman, you’ll probably
get a bigger kick out of it than I do. Still this is a Season Five episode and
most of those are in the top tier of the series, so you can’t really go wrong
here.
I give it three wormy-guys
out of five.
There is something to be said for ignoring the constrictive values of 1950s mainstream moviemaking, as it seems Roger did here. Corman is always slapdash thanks to his “Get it done on time and under budget” ethic. Yet, by getting things done on time and under budget he created a string of fun movies that could not have been made any other way. I don’t recall ever having seen this one, but it sounds entertaining for both right and wrong reasons. I’m sure the MST3K crew had fun with the latter.
ReplyDeleteI agree. Because he didn't have massive studio oversight he could get away making a western as unique as this one. But it is a two edged sword. If he had a bit more time to work on the script, this really could have been something.
DeleteHollywood should remake this movie instead of "Ben-Hur".
Garland is or was a good actress when she was working. That's probably why Corman would use her and other actors he felt he could work with. I guess that's why other similar lower budget, indie filmmakers do the same today. A lot of young people might write off Corman as a schlock director, and they're not too wrong, but at least he could bring a picture in on schedule, and within budget with pretty good results. Granted now, they make pretty good MST3K fodder. Still he has fans and those that can appreciate his films. No less the actors that got their start with him still give him respect. Sadly I think I read or saw where he and his wife got into some financial trouble with some bad advice or money manager, I don't know how that turned out.
ReplyDeleteYou mentioned that at one point in the film the killer showed up at the funeral for his victim. Actually that does happen, at least when speaking about serial killers. I saw that mentioned and happened on one of those true crime channels.
Oh if you want to see another weird western without the MST3K treatment check out Nicholas Ray's, Johnny Guitar with Joan Crawford. A lot of critics give this film respect saying it's stuffed with sexual symbolism, but it's just bizarre to me. Crawford's performance in it is strange, and equal to something Lynch might have dreamed up. All the film needed was Tab Hunter. :)
ReplyDeleteI've heard of "Johnny guitar" but never saw it. Sounds very interesting.
DeleteYeah Corman is someone I can admire from a business/producer point of view. The guy knew what it took to make a movie and make a profit. I can't argue that. But the folks that say how great of a director or writer he was are looking at many of his films with rose colored glasses. So many of his films have a lot of potential, but they just aren't fleshed out enough edited poorly to really work. Of course you could argue that they were good enough for drive-in fare. And sure, I won't argue with that. But again, that seems more like a business decision and less of an artistic decision. Now I will say that I really like his Poe adaptations. Those feel (for the most part) like enough time and care was given to them. But sorry, something like "Gunslinger" just doesn't cut the mustard.
Dr. F's claims to the contrary, this wasn't strictly speaking their first Western. That would have been The Painted Hills.
ReplyDeleteThe minor character Freddie is portrayed by George Offerman, who was Jimmy Vale in the Batman serial Rifftrax did a while back.
Good point. For some reason I never really think of "The Painted Hills" as a Western, but as a Lassie movie. But it is pretty much a Western through and through.
Delete