Summary:
In the middle of the Gobi
desert a mysterious magnetic object is found. The world’s scientists rush in to
determine the origins and meaning of the object. Dr. Yu (Tang Hua-Ta) and
Professor Sikarna (Kurt Rackelmann) identify the object as a communication from
the planet Venus. The message is damaged, so the scientists don’t know exactly
what it says, but it is enough to get an expedition ready to head out to Venus
and communicate back.
Luckily an East German
rocket called the Cosmostrator has been created for a trip to Mars. The leaders
of the world decide to go to Venus instead and assemble a crackerjack crew.
This includes medical expert Sumiko Ogimura (Yoko Tani) and daredevil German
pilot Raimund Brinkmann (Gunther Simon). Soon the journey begins, past an
asteroid shower and then exploring the surface of the Venus. But along the way,
Yu and Sikarna discover that the message was an invasion plan intended for the
Venusian’s high command. Will the First
Spaceship on Venus be seen as a visit of friendship or an act of war?
Movie Review:
With science fiction films
being big crowd pleasers in the 1950s thanks to movies like Forbidden Planet and The Day the Earth Stood Still, it was
only a matter of time before other countries jumped on the bandwagon to create
their own visions of space travel and interstellar adventures. I was familiar
with a couple of the Japanese efforts, usually featuring giant rubbery
creatures, but it wasn’t until recently that I saw efforts from behind the iron
curtain.
I reviewed the English
adaptation of one re-titled Voyage to the Prehistoric Plant (and it’s badly re-edited sibling Voyage to the Planet of Prehistoric Women).
This Russian film had a very similar plot to First Spaceship on Venus and had a very similar scope and visual
style. What sets this film apart is the attempt to make a unifying world effort
out of the whole endeavor. Time and again, we are told how the “world’s
scientists” or the “world’s leaders” have come together to accept this
challenge. In many ways this looks forward to the world of Star Trek with it’s unified world looking to explore it’s
surroundings. I also like how it leads to the truly international crew with
members from China, India, Japan, Africa (never say what country in Africa),
America, Russia, France and Germany. Each member has a specialty that comes
into play during the voyage, and some even make the ultimate sacrifice to save
their fellow crewmates and possibly the earth.
One of the elements about
this movie that I really appreciate is the design. From the pointy yet super
cool looking Cosmostrator, to the weird and funky surface of Venus the movie
has plenty of interesting visuals to reveal. Sure not all of it works. The
space suits used while the crew is in the main ship look really silly. But the
ones used to explore Venus’ surface are colorful and more functional. The robot
Omega (who none of the dub actors can pronounce with any consistency) looks
pretty silly rolling around the ship, but he seems a bit more useful on the
surface of the planet. There are smaller craft used to explore Venus, from
mini-rockets, two person cars and a strange gyrocopter. All are very creative
looking and would have made some great toys.
First Spaceship on Venus does seem to borrow from some earlier films, with
the look of Forbidden Planet really
seeming to influence the ship and spacesuits. Also, just about every movie that
contained a rocket hurtling anywhere would wind up coming across a meteor
shower. So that little plot point seems stale. The robot talks like any other
robot in any other sci-fi from the 50s or 60s. You know the whole I… AM… A…
ROBOT! voice.
However what the crew
discovers on Venus seems quite different from any other movie from that time
period. The technology and its purpose is creative and the rising seething
black slime that comes to life late in the film is pretty nifty. I even
appreciated the fact that not all the scientists make it out of the voyage.
There’s no villain in this flick, instead our heroes face the dangers of space
travel and the unknown. The ones that end up dying are usually in the wrong
place at the wrong time, or victims of some random act. In a way it was
refreshing not to have an evil alien or traitorous crewmember mess with the
explorers.
Not to say the movie is
perfect. First off this is an American dub of the original. It’s been edited
down by twenty minutes, poorly dubbed and appears to have been pan and scan
edited from a widescreen presentation. The pacing is a bit off, especially in
the exposition heavy first third. A tepid romance is attempted between Sumiko
and Brinkmann, and that slows down the proceedings. A few humorous moments with
Omega also make the robot appear to be more like Twiiki from the 70s Buck Rogers in the 25th Century
than HAL (Joel and bots pick right up on this). The result is a movie with some
high aspirations mired by some dull pacing and a poor adaptation. What did Joel
and Bots make of it?
Episode Review:
The crew of Satellite of
Love tackled the First Spaceship on
Venus during their second season. For many viewers its one of the weakest
episodes of the season. This seems odd especially since the movie provides such
a rich bounty of visual oddity and bad dubbing. But for one reason or another,
Joel and the bots just don’t seem up for this one.
Things start off oddly with
the opening host segment where Joel is messing around with Tom’s sarcasm
sequencer. Tom becomes really, really, annoyingly sarcastic, which Joel
immediately regrets and tries to ratchet it back down. But as the movie plays,
Tom starts getting more and more sarcastic again, eventually ending with his
head exploding in the final host segment. This sounds like a funny idea in
theory, but most of the “sarcastic riffs” are variants of “Ohhh a robot that
talks like and idiot, where can I get one?” or “A planet with a toxic
atmosphere? Sign me up for vacation right now.” All this is said in an
extremely snooty sounding voice. A little of this goes a long, long way, and sadly
it just increases during the film.
In addition there are a lot
of what Mike ended up calling “state park jokes”. These aren’t really jokes,
but observations, such as “Looks like they filmed this at a state park” when in
fact they did. Here you get stuff like, “Looks like a model.” Or “I can see the
strings”. Um yeah guys, we were thinking the same thing here. In the Amazing Colossal Episode Guide that was
released shortly after the end of the Comedy Central run, Kevin Murphy comments
that the writing crew needed a vacation after this show and that it was pretty
obvious. I agree, especially when you compare the lackluster riffing here to
the amazingly hilarious riffing for the next episode Godzilla vs. Megalon, one of the best episodes of the entire run (and
done after the crew at Best Brains had taken that vacation).
That’s not to say that this
episode is a complete loser. Most of the best material occurs once they land on
Venus and get a lot of the really great visuals to work with. They have some
fun with the space suits the astronauts wear during the voyage with Tom singing
“This is the day the teddy bears fly to Venus”, because of the odd ear
coverings. I also got a laugh every time one of the scientists records his log
entry into what appears to be an electric toothbrush. The boys start a running
commentary how he tells his toothbrush all his secrets and has fallen in love
with it.
When they get to the surface
of the planet with it’s dark crystalline surface, Joel quips, “We’ve secretly
replaced their planet with Folger’s Crystals. Let’s see what happens.” During a
panning shot of some frosted geometric structures Crow asks, “Doesn’t Superman
live here?” Joel replies, “If he does, then he’s got a bad case of freezer
burn.” Tom sums up his thoughts with “Guys, someone with a very different
vision made this movie.” Crow replies, “It was based on a novel by Lewis
Carroll”.
The host segments aren’t
very good or memorable. Joel creates a junk drawer seeder, in which you put a
few items in a junk drawer let it sit for a couple minutes and poof instant
junk drawer. The mads root through their junk drawer and find Abe Vagota. The
first break has the robots create their own super cool robot that only speaks
in foam. Yeah I don’t get it either. The next segment has a completely
non-sequitur bit about a gorilla in space. That is Kevin’s description and it
fits. Then you get a commercial about KLACK foods, that is one long attempt at
a gross out joke. As I mentioned the episode ends with Tom’s head exploding.
While I won’t say that your
head may explode while watching this episode, your mileage will vary. I’ve seen
some folks who really like this episode, but each time I watch it, I feel like
they really missed out on some top notch riffing here. There are some good
moments, but a lot of it is mixed with filler material that never connects. The
movie is pretty watchable by itself, so that helps my rating of it. But it also
makes me want to see the unedited version of the film Silent Star instead.
I give it two Omega (Ohm-iga
or O-meega or Ah-miga) out of five.
Poor Stanislaw Lem can't get a break with "The Astronauts" on which this movie was based. (The term cosmonaut hadn't been invented in 1951.) He later considered this early novel naive, and he hated the movie. I don't know if he ever saw the MST3K version. Let's hope not.
ReplyDeleteI remember seeing this back in the 1960s. I noticed it was bad, but I had a pretty high tolerance for bad movies back then provided they were scifi. So, I saw it through to the confusing end: Wait...how again does the rocket get back into space?
I didn't think the movie was so bad, but compared to the film "Solaris" ... well it wasn't in the same league. This struck me as much more of a typical sci-fi adventure story.
ReplyDeleteAs for how the ship got back off Venus, well it had something to do with the alien technology causing the gravity to reverse and push the ship up off the planet. It didn't make much sense (and Joel and the bots were riffing away through most of the exposition in that scene). I just felt bad for the African scientist who got left behind on the Venus because the accident. Poor guy.
I personally like this episode. I think fans are much too hard on it. Some of the riffs are pretty strong like the references to Maypo and Alexander Calder.
ReplyDeleteYeah, I've run into a few fans who really love this one. I haven't seen it since I did this review, so maybe it is time for a revisit. As I mentioned the visuals in the movie are enough to keep me interested. Thanks for commenting!
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