On the mysterious island of
Catalina off the coast of California, a caper is about to occur (hence the title).
But this is not a tightly knit edge of your seat thriller. This is a beach
movie! So we shouldn’t be surprised that Don (Tommy Kirk) falls head of heals
for Katrina (Ulla Stomstedt) as she sashays her way into some waves. This also
explains the musical numbers and guests like Little Richard!
Fun in the sun? Sure, but
there’s also a mystery on hand. You see a valuable scroll has been stolen by a
shady group of urbane thieves. They plan to sell the scroll to the mysterious
Greek criminal Lakopolous (Lee Deane), but they also have a couple of
switcheroos to execute. Hijinks ensue as Don, his beach bum pals and Lyle
Waggoner find themselves in a real caper on Catalina.
Movie Review:
When Annette Funicello
starred in Beach Party back in 1963,
a whole new type of movie was born. Wild and crazy kids having a blast on the
beach singing happy go lucky songs and running around in swim suits. But by ’67
the genre was already wearing thin. Maybe these movies were looking a little
too peppy with the Vietnam War raging. It didn’t keep director Lee Sholem from
giving the genre a shot. He also directed the infamously bad Doomsday Machine, but we’ll tackle that
another day. Mostly Sholem was experienced with TV westerns including: Maverick and Death Valley Days.
That might explain why the Catalina Caper doesn’t really succeed
as a teen comedy or as a mystery (even a lighthearted one). Casting Tommy Kirk
may have been done because he was a former Disney teen idol, like Annette was.
But Kirk is looking a little too long in tooth here to play the wide eyed gosh
golly teen. He’s not horrible, but he’s hardly inspiring. His love interest as
played by Stromstedt is just odd. She’s given some horrible lines that attempt
to make her sound groovy, but combined with her odd performance she sounds a
little touched instead. To top it off there is very little chemistry between
the romantic leads.
So that leaves us with the
mystery, which is just plain dull. The scroll in question looks more like a
pre-wrinkled napkin. Our trio of thieves is supposed to provide laughs. You’ve
got the rich and bored couple that masterminds the plot. They are so much like
Thurston Howell III and his wife that I’d be surprised if the Gilligan’s Island
pair didn’t inspire them. The bumbling thief is your typical clueless goofball
who says “boss” a lot and is basically a coward at heart. Their cunning plan is
to steal the scroll, make a fake, sell the fake to the Greek criminal and put
the original back in the museum. Of course Lakopolous doesn’t want to pay for
it, so he gets Lyle Waggoner and an evil mustached guy to try and steal the
scroll from the couple. Oh and there’s this “funny” guy spying on the whole
thing and doing pratfalls into the ocean every ten minutes or so. Sound
gripping to you?
“But there is still songs in
it right?” Yes, but don’t look for too much hope there. Little Richard sings
about a scuba party and that’s the best little ditty in the movie. “Book of
Love” has a catchy hook and Carol Connors doesn’t have a bad voice. But then
you’ve got “There’s a New World” that is just dreadful and reminds me of “Do
You Want to Laugh or Cry” from Girl With Gold Boots and nothing should remind me of that movie. The song over the
main titles is “Never Steal Anything Wet” which also serves as an alternate
title for the film. It sounds like someone trying to do Shirley Bassey and
failing.
So the movie isn’t very
funny, isn’t very romantic and isn’t very mysterious. Sounds like the perfect
candidate for Joel and bots, right?
Episode Review:
According to the stories,
when the cast and crew of Mystery
Science Theater 3000 picked Catalina
Caper for riffing and were really excited about it. But as they started
working on it, they realized that the movie was a lot tougher to sit through
than they thought. The flick didn’t take itself seriously and so a lot of their
comments and jokes felt like they were attempting to mock something that was in
on the joke. This ended up defusing some of their best material.
As a result they ramped up
the number of jokes and tried a bunch of different tactics that they hadn’t
attempted before. And since this was only the second season on Comedy Central,
they were still finding their bearings. The end result is an episode that has
some great moments, but feels like it’s battling the whole time.
If you are well versed in
beach films, there are plenty of riffs based on those, especially comparing
what we get here with the classics in the genre like Beach Blanket Bingo. The boys also have a great time with
Lakopolous’ name, coming up with alternate ways to say it and ending sentences
with ridicopolous words. The songs also provide them with some hilarious
moments, such as noting Little Richards, um, enhanced state. And wondering just
how bad “There’s a New World” will get. This episode showcases Kevin Murphy’s
musical skills as Tom Servo and his ability to jump in and add his own humorous
lyrics.
They go to town on the
unfunny pratfall comic relief, and all the horrible build up the character is
given. But most of the time when the movie tries to be funny, they are at a
loss on how to handle the situation. Mocking the bad jokes is both excessive
and risky (what if your riff is just as unfunny or worse). And since the movie
is light hearted this ends up with a lot of scenes that seem to have very
little riffing. When the scenes try to get serious again the riffing is actually
moving along at a good clip for a season two episode.
Host segments aren’t too
bad. The show starts with Joel guiding the bots in a brief prayer before the
movie. They pray for Robocop, R2-D2 and Cherry 2000. For the invention exchange
the mad scientists create tank tops using real tanks. Joel creates the tickle
bazooka that fires off rounds of feathers for massive tickle action. At the
first break Joel tells the bots all about the ‘60s to help put the movie in
context (he ends up getting a little distracted). For the second break Tom
confesses his love for Katerina, who he dubs Creepy Girl and sings a ‘60s style
song about her. Then its over to the mads as Frank tries to host a Tupperware
party. His patter doesn’t work on the Mole Men or Dr. F. After the movie ends,
Joel does his best to explain the muddled plot with the help of a drawing – and
fails.
After tacking Catalina Caper the crew would avoid
comedies. I don’t really blame them. The riffing on those films only seems to
really work when the film is so awful (like Hobgoblins) or bizarre (like Merlin’s Shop of Mystical Wonders) that the riffs have different targets. To tell
you the truth Catalina Caper is not
really bad enough for it work as a good target.
I give it two creepy girls
out of five.
This episode is available on the Mystery Science Theater Collection Volume 1.
If Little Richard can't save it, it's unsalvageable.
ReplyDeleteI think Joel says the exact same thing. :) But Little Richard's song is the best in the film, so there is that. But it is still a really stupid song.
ReplyDelete