Introduction:
I’ve mentioned before that
back in the 1990s I was a hard-core Star
Wars fan. Yeah the prequels ended up killing some of that enthusiasm, but I
still enjoy movies and shows set in the universe. There are plenty of stories
to tell. What is interesting is that back in the mid 90s there was an
experiment by Lucasfilm to see if folks were interested in non-film Star Wars events. Shadows of the Empire turned out to be a moderate success, and we
were promised more (that idea got scuttled when the prequels were announced). I
wouldn’t be surprised if one of these turned into the script for Rogue One.
Summary:
Jyn Erso (Felicity Jones) is
the daughter of a famed Imperial scientist Galen Erso (Mads Mikkelsen). When
she was a child the Empire abducted her father after he tried to escape their
clutches. Jyn’s mother was killed and Jyn was found and raised by revolutionary
Saw Gerrera (Forest Whitaker). Jump forward a few years and Jyn is a convict on
an Imperial work moon. Luckily her life is about to take a different path.
The rebellion springs Jyn in
the hopes that they can meet with the notoriously paranoid Gerrera and find out
if the rumors of an Imperial super weapon are true. Gerrera has obtained a
defecting imperial pilot Bodhi Rook (Riz Ahmed) who says Galen sent him. And so
the adventure begins with Jyn joining forces with a motley crew. There is
Cassian (Deigo Luna) a cynical battle hardened Rebel agent. K-2SO (Alan Tudyk)
a reprogrammed Imperial droid with a chip on his shoulder. Chirrut (Donnie Yen)
a Guardian of the Whills, a type of monastic order that treat the Jedi
teachings as a sort of religion. There is also his protector the world weary
Baze (Wen Jiang) who’s heavy weapon skills will no doubt come in handy. They
will find themselves facing the might of the Empire lead by Director Krennic
(Ben Mendelsohn) a man out to prove to Darth Vader that he is worthy of praise.
But will the Rogue One mission be a
success, or a dismal failure.
Good Points:
- The last half of the film is
top-notch Star Wars style action and
adventure
- Alan Tudyk makes K-2SO the
best character in the film
- Really liked seeing this a
return to this era of the universe
Bad Points:
- The script is a mess
- Most of the characters are
not very compelling
- The pacing in the first half
is really off
Overall:
Well here we have a
completely middle of the road Star Wars film.
When it comes to action and immersion in the universe the film hits all the
right moments. Some solid acting also helps carry us past the fairly flat
characters. Unfortunately the film feels messy with uneven pacing in the first
half and some odd character motivations that don’t feel earned. It is solid
entertainment as it is, but I see a much better film buried inside it and that
is a disappointment.
Scores
(out of 5)
Visuals: 4
Sound: 5
Acting: 4
Script: 2
Music: 4
Direction: 4
Entertainment: 3
Total: 3
In Depth Review
 |
| Beach Party, Star Wars style. |
When Disney announced that
they were going to explore other facets of the Star Wars universe in films, I was curious about the idea. There
were so many avenues to take the concept. Then they told us a little about Rogue One and I was really interested.
First off, before Disney
declared the old expanded universe no longer cannon to the Star Wars saga, there was a hero who had obtained the Death Star
plans and got them to the rebellion. In the video game Dark Forces you play as Kyle Katarn a rebel spy who infiltrates an
Imperial base and steals the Death Star plans, beaming them to Princess Leia’s
ship during Operation Skyhook. The
operation was mentioned in the Star Wars
radio drama. All that was out the window.
 |
| These two just blew their stealth roll. |
Secondly, the idea of a band
of rebels sneaking into an Imperial base and mixing it up with the Empire while
having some of the main characters of the original trilogy lurking in the
background – well that sounded just like the adventures you would create in the
Star Wars Roleplaying Game by West
End Games. This actually got me really excited, because I’ve been visualizing
this since the 1990s. I envisioned a whole television series featuring these
heroic rebel characters going on missions and attempting to find out more about
the Jedi. This seemed like a film that was finally bringing that concept to
life.
 |
| I think someone is ready for some beach volleyball. |
But the specter of The Phantom Menace looms large over all
things Star Wars related. So while I
was very curious, I tried to keep my anticipation for Rogue One in check. Sure The Force Awakens was entertaining, but I kept hearing about many behind the
scenes problems during the filming of Rogue
One including a serious amount of reshoots. That rarely bodes well for a
film.
The result is a film that
feels messy. One of the best things about The
Force Awakens was the nearly breathless pacing and constant feel of forward
momentum. Rogue One feels sluggish
and fitful for the nearly the entire first half of the story. Once the mission
to steal the Death Star plans actually kicks in, the film generates suspense
and builds action set pieces with great skill. Gareth Edwards is known for his
action sequences and his expertise come through. But getting to that point is a
bit of a chore.
Let’s focus on the good
elements first. When it comes to immersing the viewer into the Star Wars universe prior to the events
of A New Hope, Rogue One nails it. This movie looks like a natural progression
toward the 1977 film. Everything from the tech, the uniforms, and down to the
way the movie looks gives you the feel of a genuine predecessor to the series
we are so familiar with.
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| A high tech game of Defender. |
This is not an easy task,
and great care was taken to ensure it felt natural. While there are a couple
nods to the prequels, this film feels far enough removed from that shiny
reality and are entrenched in the grittier dirty world of the original trilogy.
It is great to see the rebels relying on the classic starships, including the
X-wings and the Y-wings. Even the Imperial ships fall in the same boat. Vader
does not arrive in the massive Super Star Destroyer from Empire Strikes Back, but on his regular sized juggernaut The Devastator.
The visual effects look
pretty darn good for the most part. The starship battle at the end of the film
is one of the best we’ve seen in the entire saga. It is framed well, easy to
follow and intense as all hell. Alien creatures are pretty solid, there aren’t
a lot of them featured in the film, our cast is all human. The strange tentacle
beast that Gerrera uses against Bodhi is perhaps the most CG looking of all the
creatures.
Speaking of CG there is one
thing I can’t avoid talking about. Because of the film’s setting, we have some
familiar faces in the movie. Darth Vader’s costume is actually a wonderful
replica of the one from A New Hope
(which is slightly different from the ones used in Empire and Jedi). He
makes out fine. But we also have Grand Moff Tarkin (who was played by Peter
Cushing in 1977) and Princess Leia (played by Carrie Fisher).
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| There is something uncanny bout seeing Tarkin again. |
Tarkin plays a key role in Rogue One. The decision was made to
have Guy Henry play the part with a CG replica of Cushing’s face placed on him
in postproduction. The result is a mixed bag. When he is not speaking, he looks
pretty darn convincing. Henry even has Cushing’s mannerisms down. But when he
speaks, although the voice is nearly perfect, the face just hits that uncanny
valley way too many times. And they were obviously proud of the work, because
he gets some really long close ups. The result kept pulling me out of the film
and being distracted by how disturbing he looked and not listening to his
actual dialogue. Faring worse, with even less screen time is Princess Leia. She
has about 30 seconds of screen time, but once again they have her walk right up
to the camera and with her uncanny valley CG face right there, it just looks
wrong. It actually soured the ending a bit for me.
Disney has pulled this
before with Tron Legacy by having some
really close up moments of Jeff Bridges youth enhanced face filling the screen.
Rogue One suffers from the same
issue. Recasting would have been fine, or keeping the stand ins backs to the
camera would have worked too. But this was just a misstep and one that I think
will age really poorly over time. Since it impacted my engagement in the film,
I had to knock the visuals down a grade.
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Is it just me or does he look like he could be
related to Dengar? |
Sound effects work was top
notch though. The movie is filled to bursting with classic Star Wars sound effects, it really added to the immersion factor of
this film. Little touches only fans would notice, like the bass rumble when
Vader uses his Force powers, or the chattering of the silver instectoid droids
were fun audio Easter eggs for fans.
When it came to music we had
a first for the Star Wars film saga.
John Williams has scored every live action Star
Wars theatrical film. But for Rogue
One a new composer was asked to step up. Originally French composer
Alexandre Desplat was working on the score. But after all the reshoots Desplat
was unable to continue working on the project because of other commitments.
Disney turned to one of their most dependable composers who had already scored
the revamped version of Star Tours,
Michael Giacchino.
Giacchino is a huge Star Wars fan, and he was one of the candidates
to score The Force Awakens if John
Williams was unavailable. This time Giacchino had a real test on his hands. He
had to score a massive wall-to-wall orchestral work based on his favorite
franchise (with all the fan expectations along with it) and do it in four
weeks. It was an insane request, and Giacchino had already had a packed year
scoring films like Star Trek Beyond and
Doctor Strange. But he stepped up to
this challenge and did his best.
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| "How did I let them talk me into this?" |
The result is a score that
captures the feel of John Williams 1977 score in tone and style, but is also
clearly built by Giacchino. His voice comes through in the new themes and the
application of all the thematic moments. It was a tricky balancing act, where
Giacchino picks up motifs and ideas that were used by Williams only in A New Hope, but fleshes them out a bit
for Rogue One. Other times he has
his new material from Director Krennic play in counterpoint to the Imperial
March or the Death Star motif. You can tell that Giacchino spent as much time
and care as he could crafting this score. With the accelerated schedule and
immense pressure we got a fine bit of film music.
There are a few moments
where the score falters a bit. The use of his Hope theme during the opening
title is a little too on the nose and almost sounds like a parody moment. There
are also times where the Giacchino’s style that he established for the Abrams Star Trek films bleeds through into the
Rogue One score. I think that time
crunch he was under probably forced Giacchino to use some style shortcuts that
people are familiar with. I know it is an issue when YouTube reviewers mentioned
that some of the music made them wonder if Captain Kirk was going to show up
and save Jyn at the end.
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| I think the droid is looking down on her. |
The acting in Rogue One is solid all the way around.
The fact that I’m not all too invested in the characters has less to do with
the actual acting and more to do with the messy script. The cast does the best
with the material they are given, and in some cases it is very little. Felicity
Jones does an admirable job with a flat character. The script wants us to be
invested in Jyn’s journey, but she is given little to do but react to events
around her. We don’t see what really motivates her, or what fuels her actions.
Jones is often left observing events and reacting to them. She has a few good scenes
dealing with her father, but that is about it.
Faring a bit better is Luna
as the jaded and cynical Cassian. Here is a character that feels like he sprung
from a full back-story. Luna makes Cassian’s dedication to the Rebellion feel
real and his actions have weight. Again, not much is given in the script, but
Luna takes the small nuggets and runs with them. He feels like the most fleshed
out of the main characters and it is due to his excellent performance.
 |
These Stormtroopers have never heard of the blind
swordsman before. |
For as little screen time as
Yen and Jiang have, they actually create enough camaraderie between their characters.
You feel like these two have been together for quite a while. They have some
amusing banter and Yen in particular invests his character with some
interesting moments. You could have almost had him play a larger role in the
film and it would have been much more interesting. There is a story behind
Chirrut, but sadly we just get hints of it.
Alan Tudyk is always great
in pretty much anything he is in. He imbued Wash in Firefly with a lot of charisma. Playing the droid K-2SO doesn’t
hinder him in the slightest. He makes the most of his limited screen time. And
by the end of the movie, he was the hero I was most invested in when it came to
their fate.
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| He has no problem blowing up your planet. |
On the villainous side I
will say that I liked Mendelsohn’s performance. He plays the ambitious and
deadly Imperial officer perfectly. I love his arrogance and the way he has no
problem talking back to Tarkin, and even a little bit to Vader (although he
looks appropriately cowed after that encounter). He makes for a solid
antagonist and again, I wish we had gotten just a little more time with him. It
felt like there was more of story behind him, but it just didn’t make it to the
screen.
Whitaker, Mikkelsen and
Smits all do fine jobs with their small moments. But when you have guys like
these why waste them in such small moments. I know that Whitaker had a lot of
his scenes reworked, and his eccentric performance here feels a little off in
some ways. But at the same time it added this uncertainty to his scenes. You never
knew just what he was going to end up doing. If the script had served him a bit
better, it would have been a great character. I will also say that Genevieve
O’Reilly makes a perfect Mon Mothma. See Disney, you can recast a part and
still make it work.
 |
| Jyn is finally ready to take action. |
While most of the parts are
in place to give us a movie that should work, it is the structure of Rogue One that just falls apart. I think
the writers were hoping that giving Jyn a backstory with her parents and tying
her directly to the Death Star in some way would raise the stakes. The problem
is that Jyn never feels like she is motivated to really act for any reason. She
is pretty much shuttled from location to location and only when her father dies
does she really make up her mind about doing something. But this moment comes
across so limp that it just doesn’t resonate. If we had more time with Jyn,
seeing her yearning for her past, seeing her interaction with Gerrera it might
have helped. But what we get is so sparse it just doesn’t have the impact it
should. So for the bulk of the first half of the film you end up with character
building moments that just don’t deliver.
 |
| Trying to make heads or tails of the rewrites. |
This same thing happens with
Director Krennic. Instead of building him as a threat, the movie spends time
showing his struggles with Tarkin and Vader. It starts to fee like more scenes
built around fan service than actual service to the story. His story has an
ironic twist, but again, it feels limp and doesn’t really do much for the
overall impact of the tale. And speaking of fan service, the film goes a bit
overboard in that department with C-3PO and R2-D2 not to mention the thugs that
harass Luke in the cantina showing up for no other reason than to make fans
smile.
What really needed to happen
was for the creators to pick a direction and stick with it. Instead we get a
film that feels like it is trying to do too many things at once. It wants to
turn Jyn into a variant of Rey from The
Force Awakens. They wanted to create a mission impossible type film or a full-blown
Dirty Dozen type movie. But those
films focused more on building up to the mission than trying to create limp
character moments. They knew they were building suspense and action set pieces.
And we get that in spades in the second half of the film. That is what the
whole movie should have been.
 |
| Darth getting a little dramatic. |
In my mind Rogue One could have used fewer
characters, a simpler narrative and the guts to go for something straightforward
and intense from the first scene forward. We should have had this elite team of
rebels, maybe see them in action during the pre-credit sequence James Bond
style. Then have them receiving their mission to steal the plans. The rest of
the film could be them coming up with a strategy to get the plans, maybe a small
adventure getting a secret code or something to sneak into the base. Then the
rest of the film with them attempting to get Skyhook pulled off. They should have picked a single villain as the
main antagonist. Could be Tarkin or Krennic, but not both. Keep Vader for the
big surprise at the end, that whole sequence works great. But those scenes with
Gerrera and finding Galen could be dropped.
In the end, you get a
muddled movie. I’ll admit, I was really hoping for something like a film
version of Star Wars: The Roleplaying
Game. And I was really disappointed during my first viewing. But seeing it
a second time, I was able to enjoy the film for what it was: a flawed movies
set in the Star Wars universe. It
hits the sweet spots for fan service and action. But beyond that it feels like
a disappointment. There is a really good (and maybe even great) movie somewhere
in there. It’s a shame we didn’t get that.
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