Showing posts with label Lovecraft. Show all posts
Showing posts with label Lovecraft. Show all posts

Friday, October 19, 2018

Cast a Deadly Spell (1991)

Most of the fiction of H.P. Lovecraft takes place in the 1920s and 1930s. Most film adaptations decide to put the stories in the era they were filmed, but a few take the leap for period production elements. Then you have this film, which moves the action to the 40’s, has a character named Lovecraft, contains the Necronomicon and a huge monster rising up to destroy the earth. It is as if the pulp magazines of the war years exploded all over the screen.

Summary:

It is 1948 in Los Angeles, and everyone uses magic. Well, everyone except for private detective H.P. Lovecraft (Fred Ward). It makes his job a bit tougher, since the police are using spells to catch the rampaging criminal gangs summoning demons to whack targets. Let’s not mention the werewolves, vampires and unicorns wandering around. Things take a turn for the weird when Amos Hacksaw (David Warner) hires Lovecraft to retrieve a stolen tome: a little book called the Necronomicon. Before you can say Cthulhu, all kinds of craziness starts to happen.

Turns out that the local crime lord (and former pal to Lovecraft) Harry Bordon (Clancy Brown), may have sent his hulking zombie after it. Lovecraft’s old flame Connie Stone (Julianne Moore) has a few clues of her own to share, but is the price worth it? Let’s not forget the car full of gremlins, a creature bursting from a pot of oatmeal and the sacrifice of a lovely virgin. Lovecraft has his work cut out for him, especially since he won’t stoop to actually Cast a Deadly Spell.

Good Points:
  • Fred Ward is a hoot as the hard boiled, square jawed detective
  • The concept and production are handled really well
  • Never takes itself too seriously, which helps with all the crazy creature effects

Bad Points:
  • Some of the humor falls pretty flat
  • None of the monsters are all that scary
  • The tone of the film never quite gels

Overall:

Oh man, how badly do I want to love this movie? I really do. But in the end it just never quite comes together. The concept is fun, the actors are game and the visual effects are pretty darn impressive. But the humor doesn’t always land, and contrasts with some of the over the top gore that ends up splashing around. Instead of going for slapstick humor, the film should have embraced a drier and darker variety of comedy, that would have fused well with the horror and noire overtones. It is a fun film.  If you’re looking for something a little bit different, this sure fits the bill.

Scores(out of 5)
Visuals: 4
Sound: 3
Acting:  4
Script:  3
Music: 4
Direction: 3
Entertainment: 4
Total:  4

Curious about a full review, sent me an email and I’ll make additional thoughts to this review.

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Friday, October 13, 2017

The Void (2016)

Introduction:

I’m always on the lookout for horror films with a Lovecraftian feel to them. But it is pretty tough to find movies that really capture the feeling of cosmic horror. Then I heard about this film which combined elements from The Thing and In the Mouth of Madness two of John Carpenter’s more Lovecraftian films. This sounded like just the kind of horror movie I could get behind, but were all the rumors true, or was the real eldritch horror the fact that the film doesn’t quite measure up to the hype?

Summary:

Officer Daniel Carter (Aaron Poole) is having a rough night. He finds an injured man on the road and takes him to the nearby hospital. Unfortunately, the hospital is undergoing renovation and is operating with a skeleton crew. Luckily Dr. Powell (Kenneth Welsh) is on hand to help. But the injured man seems a bit, well... crazy is the best word for it.

Then everything goes south quickly as two deranged men enter the hospital with an arsenal of guns. They are after the injured man with murder on their minds. Then the hospital is surrounded by hooded figures with strange symbols on their robes. Officer Carter finds himself trying to make sense of the motivations behind these interlopers and some of the hospital staff. As things escalate bodies mutate, offerings are made and a door to The Void is being opened. Does Officer Carter stand a chance in any dimension of stopping the insanity?

Good Points:
  • Impressive visual and make up effects
  • Handles the crazed cultist and dimensional horror really well
  • Manages to capture some really disturbing moments. 
Bad Points:
  • None of the characters feel quite fleshed out.
  • Pacing feels off for most of the movie
  • Lovecraft fans may be disappointed at the movie not quite meeting its potential
Overall:

Love the concept behind the film. It really nails that Lovecraftian feel of cultists attempting to bring about trans-dimensional forces into our world. Unfortunately the execution doesn’t quite hit on all cylinders. The pacing feels off for nearly the entire film. If it had slowed down, and built up to the tension instead of going full bore with the intensity it might have worked better. But the impressive visual effects and practical creatures and gore makeup work really well. This movie has some real gross visuals, and is worth a watch for fans who like their cosmic horror with a dash of graphic violance.

Scores (out of 5)
Visuals:  4
Sound: 4
Acting:  3
Script:  3
Music: 3
Direction: 3
Entertainment: 4
Total:  4

Curious about a full review, sent me an email and I’ll make additional thoughts to this review.


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Friday, October 31, 2014

The Color Out of Space (2010)

Introduction:
As most of you know, I’m a fan of H.P. Lovecraft and his style of horror fiction. His works get adapted into films pretty regularly these days, but it is rare that you get a film that sticks to close the source material. There are plenty of reasons for this (and I could spend a whole blog babbling about it), but most of the time us Lovecraft fans have to settle for something “inspired” by the writer instead of getting an actual adaptation. That is why I was pretty excited to see this film; one that I heard was very close to the original tale of terror.

Summary:
In the year 1975 Jonathan Davis (Ingo Heise) leaves his home in Arkham to seek out his father who was last seen somewhere in Germany. Jonathan meets up with Armin Pierske (Michael Kausch) who tells him a tale about the little village where his father was last seen. During World War II a meteorite fell into one of the fields owned by a farmer named Nahum Gartener (Erik Rasetter). Gartener calls the university and they send some professors over to study the meteorite. It exhibits some very odd properties. It seems to remain hot even as the metallic object evaporates over time. Most bizarre are the globules of color that appear in the center of the meteor – a color no one has ever seen before or can even describe.

Eventually the meteor dissolves into nothingness, but the Gartener’s farm begins a strange metamorphosis. Crops grow to enormous size, but taste horrible. Animals begin to mutate or shun the area. The family notices the trees appear to move without any wind. Pierske maintains contact with the family but fears they are losing their minds. Eventually the war brings soldiers. One of them is Dr. Davis (Ralf Lichtenberg) an American medic who becomes tied to the final revelation of The Color Out of Space.

Good Points:
  • A very faithful adaptation of the Lovecraft story
  • Minor changes to setting and characters help enhance the film
  • Moody and effective black and white cinematography

Bad Points:
  • The low budget hinders a few of the larger scale concepts
  • Moves at a slow measured pace to build up terror
  • Looking for a traditional horror film – look elsewhere

Overall:
It takes an independent German film to finally do justice to one of Lovecraft’s most interesting mixes of horror and science fiction. The result is a movie that takes time building up the dread until you can almost taste it. While some of the more horrifying visuals are compromised by a low budget, the film makes up for it with some lovely and disturbing cinematography. The cast does a fine job (although I had to judge based on a subtitled performance). All in all, this is a great find for Lovecraft fans and will work for anyone looking for something a little different for their Halloween Horror fest.

Scores (out of 5)
Visuals: 4
Sound: 4
Acting: 4
Script: 5
Music: 3
Direction: 4
Entertainment: 4
Total:  4


Curious about a full review, sent me an email and I’ll make additional thoughts to this review.

Friday, October 24, 2014

Cosmic Horror Cast-a-thon

A fellow blogger and Lovecraft enthusiast over at Hitchcock’s World is hosting a Cast-a-thon for a Cosmic Horror film. What exactly is Cosmic Horror, well it is horror that focuses on how small and insignificant humans are. It is a fear based in the unknown of an unquantifiable nature. It is the terror that comes in knowing that you are really nothing compared to grand scheme of the cosmos – accepting that there is any scheme to the universe. See, it is even scarier that way. Check out the post What Makes a Cosmic Horror Story over at Hitchcock’s World.

You don’t see too many films that attempt this type of horror, and good old H.P. Lovecraft is probably one of the most famous writers of this type of tale (and you could argue he originated the concept).

The rules for this Cast-a-thon are simple. Pick one of Lovecraft’s elder god horrors. These beings are always causing mischief for various reasons. Then assemble a dream team of characters from various horror films to combat the evil. It’s all done in the name of fun and it allows me to stretch my creative thinking brain cells a bit.

So without further ado here is my Cosmic Horror Cast-a-thon.

The Old One - Nyarlathotep

A maniacal being from beyond the spheres of our known dimension has arrived on earth. His goal is to subjugate the people of earth and drive them slowly insane. His motives are unknown. His methods are subtle and terrifying. Even now, those who are corrupted by his power walk among us. He goes by many names, takes many forms, and has been here before. Some texts call him Nyarlathotep. All mentions of him are filled with fear.

Nyarlathotep in one of his pre-determined
forms
Is it even possible to face such a terrifying being? He was thwarted before, and not all that knowledge was lost. It requires a team of special heroes to attempt to stop Nyarlathotep – even if it means their destruction to do so.

The Sage
Agent Dale Cooper – Twin Peaks: Fire Walk with Me
 
"Diane, I need to you look up the spelling for
Nyarlathotep."
Agent Cooper dealt with the supernatural before, he is quite skilled at accepting the unexplainable, and keeping a level head when things go badly. He relies in intuition and appears to have a touch of extrasensory perception. He is also a bit eccentric (which would make for some humorous moments). Cooper would be quick to realize the danger that Nyarlathotep poses, and come up with the best way to combat the elder god. However, his sensitivity to the paranormal could make him a target for the dangerous being.

The Loremaster
Detective William Somerset – Se7en

Searching for the Necronomicon?
A cynic to the core, Detective Somerset may be difficult to convince that some ancient god is coming to destroy humankind. But I get the feeling that Agent Cooper may be able to convince him. Once Somerset is on board, his researching skills and tenacity to see the job completed would make him invaluable. He has plenty of connections in law enforcement as well, and this may come in handy as things become more and more bleak. Somerset is also a realist, willing to lay it on the line and say it plain.

The Scientists
Dr. Elizabeth Shaw – Prometheus

"An Elder God? Are you kidding me?"
Dr. Shaw is an archeologist and her research has uncovered interaction of humans and Nyarlathotep. Her faith is a driving force in her life and the concept of an elder god disturbs but intrigues her. Shaw’s research brings her to the attention of Somerset and so she joins the crew bringing her scientific skills. While the main force is supernatural in origin, most of Lovecraft’s villains use science to execute what appears to be magical to humans. Dr. Shaw’s clinical mind and ability to stay very calm and collected under pressure would be the perfect asset.

Dr. Lesh – Poltergeist


"I've seen this before. Back in 82 we had a similar
experience."
After her work with the Freeling family and their little ghostly problem, Dr. Lesh was pretty confident in her abilities to identify, classify and deal with supernatural beings. She is a parapsychologist, and has continued her work at narrowing down supernatural causes and using scientific methods to handle them. Not all of her work has been successful, but she has an open mind and is willing accept the supernatural as something that we don't understand now, but may come to understand with more research. She'll make an excellent partner for Dr. Shaw.

The Warrior
Nagi Kirima – Boogiepop Phantom
 
She isn't about to sit back and let her mind
be destroyed. She will fight to the end.
Nagi faced the darkness many times when she was a teenager in Japan. But her desire for justice drove her above the horror. As a teen, she was resourceful, fearless, clever and dangerous. Ten years later she’s facing another evil menace, once that threatens the whole world. She won’t sit still and let it happen. She will act, and she will do it alone if she has to. But armed with tools provided by Cooper, Somerset and Shaw, she has a real fighting chance. Nagi Kirima is a force to be reckoned with. She just needs a partner.

The Fool
Jack Burton – Big Trouble in Little China
 
"You know what old Jack Burton says at
time like this?"
Jack just can’t catch a break. After his adventures in and beneath Chinatown, Jack thought he had faced the worst life could deliver. Well the old Pork Chop Express got mixed up with a nasty shoot out between Nagi Kirima and some of Nyarlathotep’s devoted disciples. Jack just couldn’t let a hot girl like Nagi take on those nuts alone, so he came her rescue (if you ask Nagi he just got in the way and she had to save his ass). This little incident put him directly in the sights of Nyarlathotep. So Jack figures he might as well help save the world again, he didn’t really have anything special going on this weekend anyway.

* * *

So there is my dream team to face this cosmic threat. Will have have a hope in any of the nine hells? Hard to say, but I think it will be fun to watch them try. And yeah, I cheated a bit by adding Nagi, since a) she's animated and b) she's from a television series. But Boogiepop Phantom is one of my favorite anime series, fits perfect in the theme, and Nagi just kicks all kinds of ass. She'd spit in one of Nyarlathotep's multiple eyes, that's for sure.

Don't forget to check out the Cast-a-thon page over at Hitchcock's World to find links to other eldritch horror sagas. 

Tuesday, October 15, 2013

Top Ten - Alternative Horror Flicks I Watch Every October


So this list is going to be a bit more personal, featuring some of my favorite spooky, creepy and scary movies that I love watching each October. Now most of you know I’m a fan of horror flicks in general, but October is when my wife and I dive headlong into the macabre and horrifying.

And yeah, I watch a lot of the more traditional horror flicks. We always make time for Halloween, Dracula, Poltergeist, Nightmare on Elm Street, Scream, The Thing and a whole host of Hitchcock thrillers. But I wanted to provide a list of flicks you may not have revisited lately, or haven’t heard of. This list is going to be all over the place, but I hope you get a nice mix of fun and freaky features to check out.

Lost Highway (1997)

I love David Lynch’s films. His ability to capture the surreal and nightmarish is really unparalleled in current cinema. While he has done a few films that have very disturbing or frightening moments, I think Lost Highway comes the closest to being a horror film.

It is a story told in three parts. Each part seems connected to the next, but some characters die and appear again. Others completely change appearance. And some appear in all three parts providing continuity and a hint that this is all part of some disturbing reality.

The movie is a slow burn in the first portion, building tension as a husband and wife played by Bill Pullman and Patricia Arquette deal with their crumbling relationship and the fact that someone may be videotaping them while they sleep. It also contains one of the most disturbing phone conversations in the history of film when Pullman places a call to a Mystery Man (played with a unsettling glee by Robert Blake).

It is at times bloody, sexy, nightmarish and confusing. The ending will either blow your mind or make you very angry. I loved the puzzle of it, and find it perfect for October viewing. It may be Lynch’s darkest film (although Twin Peaks: Fire Walk with Me certainly gives it a run for the money).


After discovering this movie last year, well it became an instant favorite. Seven school girls go to a haunted house. All kinds of crazy things happen and the ghosts devour the girls one by one. Simple story, but it is told in such an energetic, over the top, and explosively visual way. Every type of traditional visual effect you can imagine is pulled out and used.

It’s got a musical number (or two). It’s got an evil cat. It’s got a severed head biting a girl on the butt. It’s got some very creepy moments. Some very silly moments. It’s got a girl nicknamed Kung Fu who has her own theme song and kicks ass all over the place. It’s pretty much a wacky anime horror/comedy – except it is all live action.

I did a short review of it last year, and revisiting it this year I enjoyed it just as much. Mileage may vary for some people, but if you want a real visual treat and don’t mind some bizarre and funny visuals, check this out.


Horror anthology films are a tough type of film to get right. They are usually uneven at best, and complete misfires at worst. Well this film gets nearly everything right, and manages to be scary, funny and gross all at the same time. It is a shame that the studio got cold feet with this one (there is some violence perpetrated on kids and by kids in this). It’s got a little bit of everything going on. You want werewolves and vampires. This movie has them (in some different forms than you may expect). Want a ghost story, there’s one of those too. Want a simple tale of a crazed killer, well one makes an appearance here.

But the then there’s the little pumpkin headed spirit of Halloween drifting in and out of the stories and then taking center stage in a finale featuring Brian Cox. It’s a twisted little tale that manages to wrap up several loose story ends and does it with style. All in all a perfect mix of tricks and treats.


I love a good bad movie, and The Craft fits the bill in October. It is bizarre fusion of girl power, witchcraft, 90s style angst and Neve Campbell. The basics are all there, new girl in town becomes friends with some wannabe witches and then with the four of them joining forces – they gain power. But one of them is a just a touch unstable – so it all goes downhill.

It might have been forgettable except for one small thing. Fairuza Balk plays that unstable friend Nancy. And boy does she go COMPLETELY nuts. It is such a fun over the top performance that it just carries the movie to whole new level of entertainment. We watch this every year and end up quoting Nancy and her ranting and raving quite a bit. So while the movie itself isn’t too scary or too good in any technical way. It is still a whole lot of fun to watch, because even when Fairuza isn’t chewing scenery, it’s got a huge helping of 1990s style to satisfy any nostalgia you may crave for that decade.

The Haunting (1963)

Forget the 1999 remake of this film, please. I don’t care if Catherine Zeta Jones is in it and sexy as all hell, as a horror film it just doesn’t cut the mustard. You want a really good, creepy, atmospheric ghost story – then you can’t do much better than the 1963 original.

Directed by Robert Wise  and featuring a excellent cast, you get one of the best examples of creating dread I’ve seen in film. The stark black and white cinematography creates some wonderful shadows and an overbearing sense of oppression in the house. Julie Harris plays Elenor with a mix of fragile (and probably broken) and strong. The movie never overplays its hand, showing you enough to be chilled but not showing you enough to really figure out what the ghost is. Of course that makes it even more frightening. The first time I watched this I made the mistake of watching it on my own, in an empty house. Scared the crap out of me, and I didn’t sleep at all that night. It is a slow build type of movie, so anyone looking for quick thrills and gore will be disappointed. Instead it is the mood, atmosphere and wonderful use of sound that makes this such a classic in my book.

Ringu (1998)

The Japanese ghost/curse style film exploded in Hollywood in the 2000s. Every studio tried their hand at it, and made sequels and spin offs and just mined the whole genre to death. The thing is most of the time these remakes and sequels were missing the very element that made the originals work so well – an understanding of how to build dread and horror with atmosphere and mood. So if you’ve seen The Grudge or The Ring or any of the other Hollywood takes than you really haven’t seen the real version.

Ringu is the film that started it all, and I still find it to be the best of the bunch. It has atmosphere dripping out of every frame. It takes its time moving from mystery to mystery, building dread with each death and each piece of the puzzle. I love the sense of doom that hangs over the characters once they’ve seen the tape and know they are next to die. It becomes a palpable thing. Then there is the ghost itself, damn creepy in it’s original form, and never completely explained, which makes it scarier. Some folks will never find these films chilling in the least. But I love the way this one captures uncanny dread.


Had to throw an anime in here, you expect that from me at this point. I haven’t seen a lot of really good horror anime over the years. I think part of the reason is that it is harder to connect with animated characters in peril then it is with live actors. But there are a few gems I’ve run into, and Perfect Blue is one of them. I’ve already written a whole blog about Satoshi Kon’s first feature film and how good it is. So I won’t rehash that here.

But I will say that Mima’s plight and her attempts to keep her sanity while escaping from her stalker really pull me in each time I watch it. I’m afraid for her, not just because she has a crazed stalker chasing her. But because she may be completely insane, and the real killer is something she created to hide the fact that she has snapped and is doing the actual killing.

The Call of Cthulhu (2005)

I’m a fan of H.P. Lovecraft and his stories. But it is really hard to find a good film adaptation of his work. There have been some fine attempts over the years, some more successful than others. But no one has really captured the whole feel and concept of Lovecraft’s writing in a unchanged form. Until a group of fans got together and decided to give it a shot.

It is really a stroke of genius in my book. Take one of Lovecrafts most infamous stories, and film it as if it was made when it was written – in 1928. The result is a black and white silent film. All the actors are in period clothes, all the visual effects were done using period techniques. All the acting and makeup is very stylized, just like what you’d see in a silent horror film of the era. Anyone familiar with the style of The Cabinet of Dr. Caligari (1920) or Nosferatu (1922) will be on board with what was attempted here.

And for a fan made film, they made every last bit of the budget work for them. You can tell this was a labor of love and man is it a blast to watch. It only clocks in at 47 minutes, but it tells the whole story very faithfully and completely works as a “lost” silent film. If you enjoy silent films and/or Lovecraft fiction check this one out. It is a wonderful effort.

Jeepers Creepers (2001)

Teen screams were all the rage in the 1990s. They become so popular that they pretty much killed themselves with endless riffs on the same snarky, meta, cynical thrills. It would take Saw to really put the nail in the coffin. But here and there a few movies attempted to do something a bit different, or a bit in 70s and 80s horror movie vein. Jeepers Creepers is one of those and wow does it hold up well.

For me the movie works best because of the great chemistry and casting of Gina Philips and Justin Long as brother and sister. They really seem like siblings down to the body language and dialogue they share. You really connect with them and so when the horrors start you want them to get out of this one. And lets not forget the fact that the monster in this film is one nasty creation, virtually unstoppable and showing a new and more horrible facet to itself with each appearance. A lot of folks really liked this one when it came out, but I don’t see too many people mention it these days. Check it out if you haven’t seen it in a while.

The Blair Witch Project (1999)

This movie gets a lot of hate. People seem split, and when they dislike it – they really dislike it. I loved it. I still love it. I think it does nearly everything right. It creates characters (some) people can relate to. It builds a nice atmosphere of mystery at the beginning. That mystery turns into dread and then into outright horror. Those final moments, although they've been relentless parodied now, were very chilling to me upon my first viewing. I remember having long talks about Mike in the corner and if he was floating slightly and if so, what did it mean.

I love that you never see anything concrete and that the horror is all in the eyes of the viewer – but you never see anything! It is a triumph of creating atmosphere and mood and using it great affect. This is a great one to watch at night when the wind is blowing just enough to make the dead leaves rustle. 

Special Mentions
Here are a couple newer flicks that we really enjoyed and have added to our collation. They haven’t become a tradition yet, but I think they may stick it out on the list.

The Innkeepers (2011)

Tucker and Dale vs Evil (2010)

House of the Devil (2009)

And then there’s one of my favorite creepy anime series. I can’t let an October go by without 12 episodes of Boogiepop Phantom (2000).


Sam wishes everyone a spooky trick or treat this Halloween.

Tuesday, April 17, 2012

Prince of Darkness (1987)

Introduction:
I had a horror fiend friend back in Junior High who was so excited about seeing this movie. And that was about all I knew about Prince of Darkness. But the boys over at H.P. Podcraft mentioned it a couple times (as well as Carpenter’s frequent inspiration from Lovecraft) and I put it on my viewing list.

Summary:
A mysterious death at a run down church causes a priest (Donald Pleasence) to enlist the aid of Professor Howard Birack (Victor Wong). Wong gathers a top notch squad of graduate students to study a bizarre cylinder of green matter in a secret chamber under the church. As their research continues, the team concludes that they are facing pure evil and attempting to quantify it! But evil never sleeps, and it uses this opportunity to attempt an escape, one that will tear the very fabric of reality apart and bring about the arrival of trans-dimensional being that will destroy our world. Oh and Alice Cooper is on hand as possessed homeless man.

Good Points:
  • The Lovecraftian core story is intriguing
  • Some solid jump scares
  • Gets creepier the longer you think about the implications
Bad Points:
  • Goes overboard explaining the premise
  • Slogs down a little too often while trying to build tension
  • The ending lacks the punch it was hoping to deliver
Overall:
A really interesting concept that is restricted with some clunky exposition and a budget that can’t quite pull it off. Carpenter tries to recreate the isolation and building dread that made The Thing and The Fog work so well, but he never quite manages it here. Part of the problem Is the characters are less compelling here, and the pacing never really works out. It is an interesting watch and one that provided a neat twist on pure evil. I get the feeling this will work better in a second viewing a few months from now.

Scores (out of 5)
Visuals: 4
Sound: 3
Acting: 3
Script: 4
Music: 3
Direction: 3
Entertainment: 3
Total:  3

Curious about a full review, sent me an email and I’ll make additional thoughts to this review.   

Tuesday, October 4, 2011

The Resurrected (1992)


Introduction:
Adapting H.P. Lovecraft’s brand of horror fiction into a movie has always been difficult. Most of the time, the filmmakers go for a short story to base the film and try to keep Lovecraftian elements. But this time, director Dan O’Bannon went for one of Lovecraft’s lengthier works and set it in the modern era (the 1990s in this case). Did it work?

Summary:
Private detective John March (John Terry) is approached by the lovely Claire Ward (Jane Sibbett) to find out what her husband has been up to. At first March assumes this is another case of a cheating spouse, but things take a turn for the sinister when he discovers that Charles Ward (Christ Sarandon) may be involved with the occult.

As he starts digging he finds himself in mortal peril as the mysterious Joseph Curwen and his minions try to block his work. Ward himself seems conflicted and it all boils down to an ancient curse, hellish alchemical rites and the fate of The Resurrected.

Good Points:

  • Stays fairly true to the novella The Strange Case of Charles Dexter Ward
  • The adaption into a noir detective story works well
  • Keeps some of the surprising gruesome details

Bad Points:

  • Purists will be enraged by the changes
  • Has a bit of a cheesy direct to video vibe
  • A bit clunky in places

Overall:
For a fan of Lovecraft’s work, I actually enjoyed the film. It’s a neat adaptation and it keeps the general feel of the supernatural elements that the writer wove into the story. The budget constraints to show at times, but Chris Sarandon does a solid job as Charles Ward, and really gives the movie its momentum. Good for a scare or two on movie night.

Scores (out of 5)
Visuals: 4
Sound: 3
Acting: 3
Script: 3
Music: 3
Direction: 3
Entertainment: 4
Total:  3

Curious about a full review, sent me an email and I’ll make additional thoughts to this review.